A Self-Taught Shaykha in Early Modern Fes

1916.1236_o2-e1577231229883.jpg
Detail from a swathe of embroidered silk textile, seventeenth or eighteenth century Morocco, with the word Allāh rather faintly visible running in a band near the center. The polemicist author described below might have had such colorful textiles in mind in castigating women in Fes for their material exuberance in following their female shaykha. (Cleveland Museum of Art 1916.1236)

The place of women in early modern Islamicate societies varied greatly depending on particular place, general cultural norms, social status, prevailing madhhab, and many other intersecting factors. Far from being static, the role and status of different sorts of women often fluctuated over time, and was frequently contested, particularly during periods of change such as marked much of early modernity in the Islamicate world as elsewhere. Of a particularly contentious nature was the question of women’s public religious life, a question that for Muslim communities entailed tension between (albeit limited) recognition in Islamic tradition of female religious authority, beginning with hadith-transmitting wives of Muḥammad himself, and prescriptions on women’s authority and public mobility and visibility. The historical reality of female saints and even masters of sufism added extra dimensions to such tensions. In the Islamic West- the Maghrib- from the medieval period forward highly restrictive attitudes towards women’s public participation in religious life existed alongside prominent, and outspokenly public, female saints such as Sayyida ‘Ā’isha al-Mannūbiyya (1199–1267). The anonymous woman who is described in the below text suggests other possibilities, which were accepted by some but strenuously rejected by others, as we will see.

The text below comes from a major eighteenth century bio-hagiographic compilation, Ṣafwat man intashar min akhbār ṣulaḥāʾ al-ḳarn al-ḥādī ʿashar, written by a scholar whose family was originally from the Draa region in the far south of Morocco, Abū ‘Abdallāh Muḥammad al-Ifrānī (also spelled al-Īfrānī and al-Ufrānī). Born in Marrakesh around 1670, al-Ifrānī eventually settled in Fes, where he would live and work as a scholar, sufi, and author, becoming particularly well known for his historical works, dying in either 1743 or 1745. His Ṣafwat man intashar provides important insight into the shape of early modern Maghribi sainthood as well as many other social realities of the period, including in the vast and often autonomous countryside, as seen in a previous selection from this work translated here.

The following selection comes from the life of a scholar and saint, originally from the town of Ksar el-Kebir but who settled permanently in Fes after his course of studies there, Abū Muḥammad Sayyidī ‘Abd al-Qādir (d. 1680). ‘Abd al-Qādir embodied a form of sainthood that had once been common across Islamic societies but by the early modern period was largely a Maghribi phenomenon: that of the ‘exoteric’ scholar whose vigorous personal asceticism, scrupulosity, and careful adherence to the sharī’a were acclaimed as evidence of sainthood. His karāmāt- miracles or charismatic signs- were many, al-Ifrānī tells us, his saintly status no doubt helped by the fact that his son wrote not one but two manāqibs- hagiographic accounts- of his father’s life. Unlike many of his contemporaries, ‘Abd al-Qādir did not produce in books or compilations; instead, his followers compiled his sayings and fatwas into their own compilations. The passage I have translated here comes from such a compilation, and is reminiscent in form of a fatwa although it is not presented as such:

Another fā’ida: [Abū Muḥammad ‘Abd al-Qādir] was asked about a woman who recited the Qur’an for women, and they would gather around her and take her as their shaykha. He answered with the following: ‘He, peace and blessings of God be upon him, said: “A people ordered by a woman will not know success,” as well as “Hinder them as God has hindered them,” and “They are deficient in reason and religion.” It is not permissible that a woman act as an imāma or shaykha, and as for what the women do on the day when they gather together in the woman’s presence and take her as their shaykha, that is not permissible either, and is an aspect of corruption and evil in the earth due to various reasons: among them, that women pilfer from their husbands and take it to her; and that each of the women dresses in finery, beautifies herself, and goes out into the streets, that being ḥarām and not allowed. And perhaps she leaves without her husband’s permission or pleasure in that, it becoming a cause for anger and division, with things that cause such being ḥarām.

Also, she presides over the reading of books and fatwa collections concerning the religion (dīn) of God, but is without knowledge (‘ilm), not having received that from an ‘ālim, there being things in the books which are comprehensible and things which are not [to those not instructed by a scholar], ‘ilm not being received save from the mouths of scholars. Taking it from books and pages is ḥarām, and all which she receives [in terms of material things] from that is illicit and one ought not eat of it, such that her livelihood is pure ḥarām. Continue reading “A Self-Taught Shaykha in Early Modern Fes”

The Bey, the Meczûb, and a Cure for Beardlessness

Sultan Murad III (r1574-1595) on Horseback (painting recto text verso) illustrated folio from a manuscript of the Javahir al-Gharaib Tarjomat Bahr al-Ajaib (Gems of Marvels- A Translation of the Sea of Wonders) of Jennabi (Cennabi)
(Fig. 1) Bearded and beardless soldiers and attendants surround Sultan Murad III (r.1574-1595) in this miniature from a translation into Ottoman Turkish of al-Jannābī’s Baḥr al-‘ajā’ib (Harvard Art Museum 1985.219.3.2)

As I’ve discussed on these pages many times before, Ottoman hagiography (like other bodies of hagiography from around the world) can be read in ways that get at much more than just ‘religious’ history narrowly conceived. Attitudes towards political dynamics, concepts of gender, relationships among various social groups, and many more aspects of life can all be discerned in these sorts of texts. One way of getting at underlying social and cultural realities is to read multiple accounts of the same holy person, when this is possible (and obviously in many cases it isn’t, or while there may be multiple accounts one is an original which the others simply copy and paste).

I’ve selected two renderings, both from the sixteenth century, of the same story in a saint’s life. One of the stories was written by an otherwise obscure person named Emîr Hüseyin Enîsî (fl. mid-16th century) in the small town of Göynük, located roughly halfway between Istanbul and Ankara; the other version was composed in Ottoman Constantinople (or, possibly, Bursa or Edirne) by one of the most famous Islamic scholars of the period, Ahmed Taşköprüzâde (1495-1561). Emîr Hüseyin Enîsî wrote in an almost colloquial register of Ottoman Turkish, while most of Taşköprüzâde’s literary production, including the one excerpted here, was in Arabic, long one of the two ‘international’ languages of the Islamicate world (though it would soon be translated and expanded upon in Ottoman Turkish). As such, to oversimplify somewhat, the one can safely be taken as representing a ‘provincial’ perspective, oriented around a particular holy person and his family and disciples, while Taşköprüzâde represents a more decidedly ‘imperial’ or ‘central’ view of things. Where Taşköprüzâde was a part of the scholarly-legal hierarchy, the so-called ‘ilmiye system, Emîr Hüseyin Enîsî was not, instead living and thinking at some distance from the imperial center and its rarefied world of sultans, viziers, grand medreses, and the like.

These differences are very much on view in these two stories, to which we will now turn, reviewing what they reveal afterwards. First, it should be noted that the main subject of Emîr Hüseyin Enîsî’s menâkıb is Nûru’l-Hüdâ’s father, Akşemseddîn (see this post for more on him). Out of his numerous sons, Nûru’l-Hüdâ is explicitly described as a saint, albeit of the meczûb variety (on which see this post), one whose divinely bestowed powers could go toe-to-toe with his father’s. Taşköprüzâde’s version of the story comes from his al-Shaqāʾiq al-nuʿmāniyya fī ʿulamāʾ al-dawlat al-ʿUthmāniyya, a ‘biographical dictionary’ of prominent scholars, culture-producers, doctors, shaykhs, and saints of the Ottoman lands from the origins of the dynasty up to Taşköprüzâde’s own day. While the story takes place in the fifteenth century, the underlying social and cultural dynamics that our authors bring to it speak more, arguably, of the sixteenth century. Here is Emîr Hüseyin Enîsî’s version:

‘There was a bey known as Kataroǧlu who was beardless (köse). He didn’t have any beard at all. One day he said to [the meczûb saint] Nûru’l-Hüdâ: “With saintly intention (himmet) cause me to have a beard!” So Nûru’l-Hüdâ looked Kataroǧlu in the face. He spit. In the places where the spit landed on Kataroǧlu beard began to sprout. The next morning Kataroǧlu arose and looked in the mirror. In the places the spit had touched beard had grown, and in a few days he had a full, black beard! He brought [the saint] a golden kaftan, and clothed Nûru’l-Hüdâ in it. Suddenly a dog appeared in their midst, and Nûru’l-Hüdâ rose and clothed the dog in the kaftan.’ [1]

And here is Taşköprüzâde’s version:

‘The shaykh had a young son named Nūr al-Hudā, a son who was a majdhūb, his intellect overtaken [by God]. At the time there was a great amīr known as Ibn ‘Aṭṭār, who was satin-skinned, not a hair on his face. He came before the shaykh while on his way to Sultan Muhammad Khan [Mehmed II]. While he was with the shaykh, that majdhūb came in and laughed, saying, “Is this a man? No, he’s a woman!” The shaykh was angry at this, but the amīr implored the shaykh that he not rebuke his son for saying such. Then the amīr said to the aforementioned majdhūb, “Pray for me so that my beard will grow!” So the majdhūb took a great deal of spit from his mouth and rubbed it on the amīr’s face. His beard began to grow, right up to his entry into Constantinople, and when he came before the sultan, the sultan said to his viziers, “Ask him from whence came this beard?” So he related what had happened, and the sultan marveled at it, and endowed upon that young man numerous waqfs, which remain in the control of the sons of the shaykh to this day.’ [2]

Ottoman Kaftan Fragment
(Fig. 2) A fragment of a particularly rich 16th century kaftan woven from silk and metallic thread, with a gold background, perhaps visually similar to the one described in Emîr Hüseyin Enîsî’s version of the story. (Met. 52.20.23a, b)

First, certain shared components are immediately visible: in both versions the Ottoman official- described as a bey or an amīr, roughly equivalent terms in Turkish and Arabic respectively- suffers from a degree of social stigma, it is implied, due to his lack of a beard. Having a beard, or even the first traces of a beard, was a key marker in this world of transitioning from the ambiguously gendered stage of ‘beardless youth’ to an adult man; the total absence of facial hair, if voluntary, could signal subordination (as in the case of eunuchs particularly) or social deviance and rejectionism (as in the case of radical dervishes). Thus the bey’s lack of beard is not simply a matter of style or personal pride, but could be seen as something approaching a disability. The joke the meczûb tells in Taşköprüzâde’s rendering pointedly gets at this gendered social reality.

The ‘cure,’ described in similar- though not quite the same- ways in both accounts, points to the close linkage between the body, the body’s products, and the transmission of sanctity and saintly power in the Islamicate world (and elsewhere). The exchange of saliva between saint and devotee has many parallels elsewhere in medieval and early modern Islamic hagiography (though I do not know of another instance in which spit cures beardlessness!). That the bey wants Nûru’l-Hüdâ to spit on him (or, in Taşköprüzâde’s somewhat more ‘refined’ version, rub on him) indicates his recognition of the meczûb’s sanctity, and signals to the reader Nûru’l-Hüdâ’s status as a saint.

Where the two accounts diverge is in how they implicitly frame the relationship between Nûru’l-Hüdâ (and his father), on the one hand, and Ottoman central power, on the other. In the first, ‘provincial’ rendering, while Nûru’l-Hüdâ cures the bey’s lack of beard, he does so in a way that signals the relative equality prevailing between the two- he spits right in the bey’s face, an effective way to transmit some sacred saliva, but otherwise a rather degrading action. Taşköprüzâde presents the transmission as having been carried out in a less confrontational manner. When it comes to recompense, Taşköprüzâde suggests that not only did the sultan himself reward Nûru’l-Hüdâ’s family, the family retained the reward, right down to the present, thereby tying themselves into the Ottoman center and implicitly subordinating themselves to the Ottoman dynasty. The framing of the story itself subordinates the ‘local’ saints to the central imperial context, with much of the action taking place in the presence of the sultan, not in the presence of the saint.

Emîr Hüseyin Enîsî’s version runs in exactly the opposite direction: not only does Nûru’l-Hüdâ reject the sumptuous kaftan bestowed upon him (see fig. 2 for an example), but he instead clothes a dog with it (the dog, it is implied, appearing providentially in just that moment). This act of rejection is not just a manifestation of conventional ideas of asceticism and distance from rulers. In Emîr Hüseyin Enîsî’s time, a very real struggle was taking place over who was to control the use and distribution of sanctity, over who was to occupy the ‘top spot’ in the hierarchy of saints. The Ottoman dynasty and many of its elite sought to organize, channel, and outright control the many holy people scattered across their domains, with the sultans themselves as saints presiding over the empire. Saints and their supporters, especially hagiographers, resisted these attempts. Neither ‘side’ rejected the legitimacy of the other outright: sultans and beys respected the saints of the land, and the saints, for the most part, supported the right of the House of Osman to rule. What was at issue was the nature of their relationship, and the degree to which saints should be subordinate to sultans and other members of the Ottoman elite.  Dressing a passing dog in a kaftan (itself symbolically linked to the sultan’s household) is in the story a way of signaling the superiority of the saints and that while beys and sultans needed them, the saints did not themselves need beys and sultans. The historical reality was no doubt, in fact, somewhere in between the two visions these contrasting hagiographic accounts present.

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[1] Emîr Hüseyin Enîsî, Akşemseddin hazretleri ve yakın çevresi: Menâkıb-ı Âkşemseddîn, edited by Metin Çelik  (İstanbul: Ark, 2016), 98.

[2] Ahmed Taşköprüzâde, al-Shaqāʼq al-Nuʻmānīya fī ʻulmāʼ al-Dawla al-ʻUthmānīya (Beirut: Dār al-Kitāb al-‘Arabī, 1975), 141-142.

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The Sesame Presser Turned Saint Who Almost Threw a Qadi in the Water

Divan of Mahmud `Abd al-Baqi Abu Sa'ad teaching
A depiction, from a mid-sixteenth century illumined copy of the Divân of Mahmûd ‘Abdülbâkî, of the most prominent Ottoman jurist of the century, Muhammad Ebussuûd Efendi, (d. 1574), and a circle of students, wearing clothing typical of the Ottoman ‘ilmiye hierarchy from which kâdîs, such as the one in the story below, were recruited. 

As I’ve discussed in these digital pages before, one of the most fascinating and insightful ‘variety’ of Muslim saint in the early modern Ottoman world was the majdhūb (Ott. Turk. meczûb), the ‘divine attracted one,’ a strange and often disruptive and even antinomian figure who became a fixture of many Ottoman cities and towns in both the Arabic and Turkish speaking portions of the empire. Like the holy fool (yurodivy) in the Russian lands during the same period, [1] the majdhūb often engaged in public acts of disrespect towards holders of political power and authority, often with a sharp edge of political critique which might not have been tolerated from other actors. Such an act of transgressive, symbolic political intervention featured strongly in the remembered life story of the majdhūb I’m profiling today, one Abū Bakr al-Mi’ṣarānī al-Majdhūb (d. 1605), of Damascus.

He was profiled by the prominent Damascene scholar and biographer Najm al-Dīn al-Ghazzī, who personally knew and revered the saint, to the point that towards the end of Abū Bakr’s life he would even spend nights in the al-Ghazzī family home, talking with Najm al-Dīn deep into the night. Abū Bakr had humble origins and source of livelihood, having worked, as his laqab al-Mi’ṣarānī indicates, as an oil-presser, until one night while in a dhikr assembly (that is, a session of ritual remembrance of God) under the leadership of Shaykh Sulimān al-Ṣawāf al-Ṣufī, Najm al-Dīn’s brother Shihāb al-Dīn in attendance as well, ‘lightning flashes from God flashed out to him and seized him, so that he entered divine attraction, stripping off his clothes and going naked, save for his genitals. Then the state left him after some months, returning to him every year for three or four months. He was hidden in it from his senses, and would utterly shave away his beard and go naked [2].’ Besides embracing the typical majdhūb distaste for proper clothing and facial hair, both also characteristics of ‘antinomian’ dervishes, Abū Bakr also engaged in playful ‘assaults’ on people, demanding money from them, which he would then distribute to the poor. When not in his state of jadhb he would practice silence and acts of worship, secreting himself in the Umayyad Mosque. When ‘under the influence’ his state was clearly a fierce and potentially dangerous one, especially to members of the Ottoman elite. His inner potency was further indicated by a dream al-Ghazzī reports, in which, having asked God to reveal Abū Bakr’s true ‘form’ to him, the scholar behold the majdhūb transmuting into the form of a lion, then back to his human form. ‘That made manifest that he was from among the Abdāl. When day came I saw him, in his condition, and he laughed at me, and said to me: “How did you see me last night?”’ [3]

Continue reading “The Sesame Presser Turned Saint Who Almost Threw a Qadi in the Water”

Muslim Saints and Dogs: A Sampler

That the position of dogs in Islamic societies has often been an ambiguous one is relatively well known. However, the ambiguous and sometimes hostile attitudes and practices directed at canines by some in the Islamic world down through the centuries is but part of the story of the place of the dog in Islamic societies and Islamic traditions. The role of dogs in elite culture is relatively well known- the modern day saluki, for instance, probably traces its ancestors back to dogs owned by members of elite groups in the Middle East and elsewhere- with such dogs often being employed in both hunting and as every-day animal companions. But dogs could be found in many other capacities as well: any town or city would have its street dogs, animals who show up in the story from Rūmī’s life (1207-1273) illustrated below, and in the tale from the life of Şemseddîn Ahmed Sivâsî (1519-1597), while guard and herding dogs would be found in the countryside. And, as the following stories indicate, dogs could have a more intimate relationship with humans, even to the point of close companionship.

I’ve arranged these accounts, taken from Persian and Ottoman Turkish sources, in chronological order, each reflecting a somewhat different stance towards dogs and their relationship with humans, each involving ‘friends of God’ in an Islamic setting, as described by a hagiographer. The first, written sometime before 1291, concerns the canine companion of Rūmī’s grandson, Chalabī Amīr ‘Āref, a dog named Qeṭmīr after the famed canine companion of the Seven Sleepers of Ephesus, a dog who is described as being effectively a saint in his own right. The second story, from the life of Shaykh Ṣafī al-Dīn al-Ardabalī (1252–1334), the eponym of the Safavī sufi order and later Shi’i dynasty that would rule over the Iranian lands for some two and a half centuries, is the oddest and most ambiguous of the two, as it suggests a sort of sanctity on the unnamed dog’s part, but in a very ambiguous way. The final story is from a compilation of saints’ lives produced in the late 17th century Ottoman Empire, and may very well be ‘in dialogue’ with the preceding two, since both the menâkıb of Rūmī and of Shaykh Ṣafī, in both their Persian originals and in later Ottoman Turkish translations, were well known in the Ottoman lands.

It is also transmitted that, having received Qeṭmīr [the dog] from Shaykh Nāṣeh al-Dīn, Chalabī [Amīr ‘Āref] set off and instructed Qeṭmīr: ‘Come along with us!’ When the dog had gone a few steps, he turned around and looked at Nāṣeḥ al-Dīn, who said: ‘What are you looking at? Would that I were in your place and might become the dog of that royal court!’ Then Qeṭmīr rolled about, let out a yelp, and set off running.

Similarly, in the city of Lādīq during the samā’ he would enter the circle of the companions and turn about with the noble disciples. Another of his miracles was that whether at home or abroad no dog ever attacked him, nor did any dog bark at him. When they sniffed him, they would form a circle around him and lie down. And whenever Chalabī sent a messenger somewhere, he would join Qeṭmīr to him. Indeed, whether it was a journey of ten days or a month, Qeṭmīr would escort him to his destination and then return. Moreover, they [burned] his hair and used the smoke to treat fever. The fever would depart.

Whenever he saw a denier, without mistake he would piss on him. And he would never eat food from deniers of [Mowlānā Rūmī’s] family. If they secretly mixed that food from the companions and gave it to him, he sniffed it and wouldn’t eat it!

Shams al-Dīn Aḥmad Aflākī, The Feats of the Knowers of God: Manāqeb al-ʻārefīn, translated by John O’Kane (Leiden; Boston: Brill, 2002), 659

Commentary: This is just a selection from the ‘biography’ of the dog Qeṭmīr, who receives fairly extensive treatment from Aflākī- who was himself a companion and disciple of Shaykh Chalabī. In this section, Qeṭmīr is treated much as a saint would be, with a description of his entry into the company of Shaykh Chalabī, himself sanctified primarily through his descent from Mavlānā Rūmī, followed by practices typical of a ‘friend of God,’ only here in canine form: entry into ecstatic dance (the samā’), recognition of his inherent sanctity by others of his kind, the ability to heal diseases, and preternatural recognition of interior human dispositions and other things otherwise impossible to discern. To my knowledge this is the only dog so depicted in Islamic hagiography, though the dog below comes close- if anyone out there is aware of other instances do let me know in the comments!

Another account involving dogs in the Manāqeb al-ʻārefīn: Rumi addresses the dogs of the marketplace, from a c. 1590 copy of the Ottoman Turkish translation of Aflākī’s menāqib (Morgan Library MS M.466, fol. 66v)

The custom of this dog was that if a hypocrite was in the midst of the [Sufi] assembly this dog would enter and would smell the men gathered, one by one, and upon the one who smelled of hypocrisy he would urinate, so that the person would be completely humiliated. One day a man of great reputation sat in the assembly, and when the dog smelled from this man the scent of hypocrisy, he urinated on him, so that the man was greatly embarrassed and mortified. The shaykh was angered by this, and cursed the dog that ‘He go to pieces!’ Then the dog disappeared and was not seen for one or two days. When they searched for him, they found him under a rosebush, dead, all gone to pieces.

Ibn al-Bazzāz al-Ardabalī, Ṣafvat al-ṣafā ([Tehran]: Intishārāt-i Zaryāb, 1376 [1997 or 1998]), 612. Translation by Jonathan Parkes Allen, 2019.

Commentary: The dog described here is described in a previous section as well, as being a black dog who hung around the zawīya of Shaykh Ṣafī as something of a regular fixture. The entire account is part of a chapter devoted to Shaykh Ṣafī’s miraculous interactions with the non-human world, including animals, which receive a sub-chapter. The unnamed black dog described here seems, at first glance, to be almost a facsimile of Qeṭmīr from a few decades previous: he can preternaturally detect ‘hypocrites,’ presumably meaning here people who did not believe in the sanctity of Shaykh Ṣafī or in the legitimacy of sufi practices. Yet when he seemingly righteously takes a piss on just such a person, Shaykh Ṣafī grows incredibly angry with him, employing his ‘jalāl,’ or power of divine wrath, upon the hapless animal. What are we to make of this? I am honestly not entirely sure. That Shaykh Ṣafī accumulated lands and goods and influence is not disguised in this saint’s life, so perhaps we are meant to understand him as being properly angry at alienating a man whose wealth could potentially be turned to the good use of Shaykh Ṣafī’s community. It is possible as well that the story is meant to distinguish Shaykh Ṣafī from Rūmī, though this seems a bit of stretch to me. Doubtless other things are going on in these accounts, with which I am generally less familiar than the other two examples- again, comments or suggestions are welcome!

From among [Şeyh Şemseddîn Ahmed Sivâsî’s] miracles was the following: the people of Karahisâr-ı Şarkî [modern Şebinkarahisar] sent messengers to Şems asking him that he honor them with his preaching, counsel, [performance of] zikr [remembrance of God], and his blessed noble beauty. In answer to their supplication he came, and was honored immensely, being given a fine place to stay as well as much feasting and amiable conversation. For some time he preached, gave counsel, and led zikr, then announced that he was returning to Sîvâs. When the scholars, şeyhs, merchants, notables, and ordinary people of the town all came together to give him a farewell with honor and respect, numerous dogs also came before the saint, and, as if presenting complaints, began barking! When Şems asked why they were barking so, the people replied, “Because there has been plague and pestilence in our town, the kadi [judge and administrator] of our town ordered the killing or banishing of the dogs, so that we killed some and we banished some. These are dogs that we banished.”

The saint cried out, “Your kadi was heedless of the hadith which says, If dogs were not a community (umma) from among the communities, then I would order them killed.” Saying that, he addressed the dogs: “Go safely and soundly back to dwell and to be at rest in your former places!” As the townspeople returned from bidding the saint farewell, they saw these words fulfilled as the dogs, understanding the command, followed after the people back into town to their usual places—and having done so, by the command of God, the plague was lifted on that very day!

Şeyh Mehmet Nazmî, Osmanlılarda tasavvufî hayat: Halvetîlik örneği : Hediyyetü’l-ihvân, edited by Osman Türer (İstanbul: İnsan Yayınları, 2005), 359-360. Translation by Jonathan Parkes Allen, 2018.

Commentary: In this story we see dogs recognizing someone’s sanctity, but this time that of a human saint. In recognizing Şemseddîn Ahmed Sivâsî’s holiness the dogs also engage in another typical action directed at saints, that of supplication in the face of unjust ‘secular’ authority, thus reinforcing the saint’s authority. This interaction with the dogs also allows Şeyh Şemseddîn to enact his saintly authority over the entirety of the town in a dramatic way: when he discovers that the dogs of the town have been unjustly displaced by the unkind and implicitly irreligious kadi, he rebukes the kadi and intervenes miraculously so as to restore the dogs to their rightful places in the town, restoring harmony, as indicated by the lifting of the plague. In returning the dogs to their places Şemseddîn also, at least temporarily, displaces the Ottoman kadi from his sultanically designated place, not only nullifying his anti-dog decree but also casting aspersion on the kadi’s knowledge of the Prophetic sunna, a reminder of Şemseddîn’s mastery of both the exoteric and the esoteric, mastery which could shape the very configuration of the places through which he passed, mastery to which even dogs might respond.

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‘Abd al-Wahhāb Rescues a Fly in Peril

W659_000287_sap
An insect of some sort, from an 18th century Ottoman Turkish version of ʿAjāʾib al-makhlūqāt (Wonders of creation) by Zakarīyā al-Qazwīnī (d. 1293). Walters Art Museum, W.659

Among the many writings produced by the prominent early modern Egyptian saint and sufi ‘Abd al-Wahhāb al-Sha’rānī (d. 1565) was a work that is best described as a cross between an ‘auto-hagiography’ and an encyclopedia of ethics and sufi practice. Al-Sha’rānī wrote the Laṭāʼif al-minan ostensibly as a compilation of practices and virtues for his followers and others to study and to emulate, though it also clearly functioned as a sprawling (the printed edition I used for this entry clocks in at over eight hundred pages!) argument for his own sanctity. Stories of al-Sha’rānī’s life (including, as here, aspects of his family life) are scattered generously throughout, including this curious little account which comes in the midst of a discussion of proper treatment of cats and other animals. Al-Sha’rānī was especially kind to cats, offering them food right out of his own hands, but, as this little miracle tale reveals, far ‘lowlier’ creatures were on his radar as well.

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Among the things that happened to me: my wife Fāṭima Umm ‘Abd al-Raḥman had a thickness (ḥādir) upon her heart. Her mother cried out and was certain that [her daughter] would die, and I was greatly agitated on her account, but a voice came to me while I was in the toilet-room: “Release the fly from the fly-hyena (ḍabu’ al-dhabāb) in the crack that is in front of your face, and We will release your wife from sickness for you.” So I went to the crack and found it to be quite tight such that fingers could not open it, so I took a stick and pulled it open and extracted the fly-hyena with the fly, and found it whole but with the fly-hyena gripping its neck, so I released it from him, and in that moment my wife was released from sickness and restored to health and her mother rejoiced—from that day on I have not looked down upon bestowing good upon any creature or best which the Lawgiver, upon whom be peace and blessing, does not command be slain.

‘Abd al-Wahhāb al-Sha’rānī, Laṭāʼif al-minan wa-al-akhlāq fī wujūb al-taḥadduth bi-niʻmat Allāh ʻalá al-iṭlāq, (Damascus: Dār al-Taqwā, 2003) 349-350.

Saints and the Crossing of Confessional Boundaries in the Ottoman and Safavid Worlds: Part ii.

Armenian MS 11, folio 2 recto
Frontspiece to a Gospel Book, Wellcome Collection MS Armenian 11, early 18th century

The modern history of relations between Muslims and the Armenian Orthodox of Anatolia, Azarbaijan, and other parts of the former Ottoman Empire has not been happy one for the most part, and in both popular memory and in historical scholarship pogroms, dislocation, erasure, and genocide have been foremost concerns, and for good reason given the ongoing discourses and actions of denial and erasure in the region. However, that focus has often resulted in lack of attention to the complexities of relationships between Armenians and their Muslim neighbors, relationships that historically were marked by more than just antagonism (though conflict did exist). The following story, which reflects a different iteration of the ‘shared economy of holiness’ that we explored in an earlier post, comes from Aṛak’el of Tabriz’s magisterial volume of history that deals with Armenians in the Safavid Empire and beyond during the 17th century, and which includes within it several sustained hagiographic accounts of contemporary- to Aṛak’el- Armenian saints, saints who sought to ‘reform’ and restructure Armenian Orthodoxy through preaching, educating and disciplining clergy and monastics, and building or renovating local church infrastructure. While, according to Aṛak’el’s accounts, these saintly vardapets (a vardapet is a type of monastic preacher and scholar in the Armenian Church) practiced intense personal holiness and strove for the good of the Armenian people and faith, they ran up against entrenched powers in the hierarchy, and as a result sometimes ran afoul of Safavid officials. Interestingly, however, many of the stories of conflict that Aṛak’el tells involve Armenian Christian instigators who go before Muslim Safavid officials and level charges against the saintly protagonists.

Such is the milieu in which this story takes place. Vardapet Poghōs, one of the key saints in Aṛak’el’s history, had incurred the wrath of a range of prominent church officials in his efforts to revive parish life in the far northwestern corner of the Safavid realm. The encounter described in the following account occurs while Poghōs and his disciples are on their way to visit Shah Abbās II in order to clear their name. The encounter between the Armenian saint and the pious Muslim householder that takes place in the midst of this journey is a good symbol of the ways in which holy men and women might be recognized across confessional boundaries, even as prominent people within their own community did not recognize their holiness, for various reasons. Şeyh Hasan Efendi, the subject of part one of this installment, was in a similar state, as he was opposed by Ottoman Muslims of a ‘puritanical’ bent, even as he was evidently recognized as holy by at least some of his Christian neighbors. At the everyday level, it seems, early modern people in the Islamicate world, of which Armenians were an integral part, sought to recognize the friends of God in whatever form or place they might be found, since such holy men and women might provide a crucial source of safety and aid in an often hostile and uncertain world. Holy men and women themselves- including those such as both Vardapet Poghōs and Şeyh Hasan who were clearly deeply committed to the creedal precepts and claims of their respective faiths- were more often than not in this period accepting of such ‘ecumenical’ encounters.

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When they reached the gawaṛ called Araghbar at dusk, they entered a Muslim village to spend the night there. It so happened that they encountered a man, a Muslim, who came out to greet them. He implored them, saying, “I beg you, for God’s sake, do not abhor that I am a Muslim, but pay heed to my request and enter my house so that I may show you my hospitality. For I have made a vow to God not to eat anything today without a guest. I have been standing here in the middle of the village seeking a guest. God has sent you! I therefore, ask you to enter my house.” The blessed vardapet [Poghōs] answered the man happily and said, “Let it be as you wish. We shall go to your house.” They spent the night at that man’s house and he received them very well. He gave them everything they required for their rest. In the morning, before they prepared to leave, the Muslim man came and implored them, saying, “I have no son, and no one will remember me on this earth. I beg you to pray for me, so that I shall have a son, for my wife is barren.”

The saintly vardapet lifted his habitually outstretched hands to the sky and prayed adamantly to the Lord to give the man a son. The benevolent Lord, who had promised to give His followers whatever they requested in faith, granted the man a son because of the saintly vardapet’s prayers. The same man later informed us of this. For, after some time, the Muslim man came, thanked the vardapet during the Divine Liturgy, bowed down, thanked him, praised him, and said, “Because of your prayers, God has granted me a son. I now beg you to pray that God grant him a long life.” The saintly vardapet prayed for him again, comforted him for some time and then let him go.

Aṛakʻel of Tabriz, The history of Vardapet Aṛakʻel of Tabriz ( Patmutʻiwn Aṛakʻel Vardapeti Dawrizhetsʻwoy)  Translated by George A Bournoutian. (Costa Mesa, Calif.: Mazda Publishers, 2005), 202-203.

 

Saints and the Crossing of Confessional Boundaries in the Ottoman and Safavid Worlds: Part i.

Ottoman Armenian
An Ottoman Armenian Christian resident of Istanbul, probably relatively well off enough to warrant his inclusion in a c. 1657‒58 costume collection book (The Rålamb book of costume, Rål. 8:o nr 10)

The two accounts that I’ve selected for this and an upcoming installment come from two milieus that at first glance might seem very different but upon a closer look reveal some striking similarities, similarities that reflect shared ways of seeing the world and ways of relating to people of different religious and confessional traditions, even in an early modern world marked by frequent conflicts and debates over confessional boundaries. The first story comes from an Ottoman Turkish source we’ve explored here previously, the menâkıb (saint’s life) of Hasan Ünsî, an eighteenth century Muslim saint of Istanbul, while the second installment, originally composed in grabar (‘classical’) Armenian, will be an excerpt from the life of Vardapet Poghōs, a seventeenth century Armenian Orthodox saint whose career took place in the northwest corner of the Safavid domains, in what is now Armenia, Azerbaijan, and Iran.

Here is the account from Hasan Ünsî’s menâkıb, with my commentary following:

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‘Near the door of the exalted tekke there lived a Christian doctor, named Mikel, who was skillful and wise in the knowledge of medicine. It was his custom that if a sick person came to him and his treatment was not effective or treatment was not even possible, he would say to the patient, “The cure for this illness is inside this tekke, so go to the tekke, and find the Şeyh therein. His name is Hasan Efendi—go to him, he can treat this illness. Its cure will come from the Şeyh, so that you’ll have no need of other than him.” So saying he would send the sick person to the venerable Şeyh. This Mikel was consistent in this practice.

‘One day this poor one [Ibrahim Hâs] had gathered along with the other dervishes before the candle-like beauty of the venerable Şeyh, deriving abundant benefit from the sight of the saint. We saw that two people had come within the door. One had nothing upon his head but a wrapped around piece of cloth. He came up to the venerable Şeyh, kissed his blessed hand, and sat down. The venerable Şeyh said to him, “Have you come from afar?” He replied, “We are from afar.” The man whose head was wrapped in a piece of cloth came before the Şeyh, lifted the piece of cloth from his head and showed his head to the venerable Şeyh. As he turned we all saw that his head was entirely in boils (çıbanlar). Each one was jagged like the shell of a hazelnut and very red, without numerous individuals boils—they were about thirty in number, but each boil was very bad—we take refuge in God! This person said, “My Sultan, thus with this sickness I have been tried. I cannot put anything on my head. I have sought someone to treat it in both Istanbul and Galata, but no physician understands this sickness, and they give no answer. Despite expending many akças I have neither cure nor respite. The physicians of this city are incapable of treating me! Finally, near this tekke’s door there is a physician to whom I came and showed the boils on my head, and he said to me that ‘We have no means of treating this illness. But the doctor for this illness is the şeyh of this tekke, who is named Hasan Efendi. The cure for this is there.’ Saying this he sent me to your side. Will you give me an electuary, or give me a pill? Or perhaps you will give me some other treatment—whatever you say, let it be upon my head! I remain without a cure!”

The venerable Şeyh smiled and said, “Mikel has given you a good report; but you did not quite understand if you seek from us an electuary or pill.” Having said this, he said to the man, “Come before me!” He came before him and uncovered his head. The venerable Şeyh said to him, “Bend your head towards me!” He bent his head, and the venerable Şeyh spit into his hands and placed them on the boils of the man’s head, and then for one time gently hit them. He then said, “This is our pill, electuary, and şerbet! Go now, and henceforward you will be well, whether you believe or don’t believe.’ The venerable Şeyh said no invocation, read no prayers, nor said the Fatiha over him. Then the man kissed the venerable Şeyh’s blessed hand and left. Two days later that person came to the venerable Şeyh and we saw that the boils had gone, he was well, and was wearing a quilted turban (kavuk). He had brought many gifts and much praise. Afterwards he came face-to-face with the venerable Şeyh with his gift, but the Şeyh strongly enjoined him not to tell anyone, but [the story] was circulated among the poor ones [the dervishes].

İbrahim Hâs, Hasan Ünsî Halvetî ve Menâkıbnâmesi, edited by Mustafâ Tatcı (Bağcılar, İstanbul: Kırkambar Kitaplığı, 2013, 2013), 314-317. Translated by Jonathan Parkes Allen, 2018.

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What might we make of this story? It gets at, I think, an important feature of religious life in not just the Ottoman world but much of the rest of early modern Eurasia: the potential power of sanctity, as invested in a holy person, place, or object, had a decided ecumenical quality. There is no sense here that either Mikel of Hasan Ünsî were rejecting their confessional affiliations, or even questioning the validity of their respective faiths. But we do get the sense of a shared economy of sanctity among them, and among the unfortunate patient and the various onlookers. The story does not end, note, in anyone’s conversion (unlike any number of medieval Islamic saints’ lives), and Şeyh Hasan is explicitly described as not using overtly Islamic methods in treating the man (whom we are given to understand, I think, to be non-Muslim himself, though this is not made explicit). Mikel the Christian doctor does not become Muslim, either, and we get the sense that Şeyh Hasan quite appreciates the referrals he receives from him. The saint’s power has an open quality, at least towards ‘ordinary’ people- elsewhere the saint is shown restricting access to himself when he is sought out by more powerful and wealthier people with ties to the Ottoman ruling elite. Continue reading “Saints and the Crossing of Confessional Boundaries in the Ottoman and Safavid Worlds: Part i.”

Two Ways of Dealing with the Jinn in the Ottoman World

Demons- the red king of the djinns, Al-Malik al-Ahmar. Demon portrait. From a 15th-century Arabic collectaneous manuscript known as Kitab al-bulhan.
The Red King (al-Malik al-aḥmar), from Kitāb al-Bulhān, produced c. 1390-1450, probably Baghdad (MS. Bodl. Or. 133, fol. 31a)

The presence and potential power of the jinn- beings neither human nor angel, but instead somewhere in-between, capable of both helping and harming humans but mostly just interested in their own devices- has been a constant throughout Islamic history, with the concept of the jinn probably pre-dating Islam considerably in fact. Ways of dealing with the jinn have varied considerably, though certain practices- the use of talismans and amulets, or other sacred or semi-sacred prophylactics- has been common across many Islamic societies. The two examples I’ve presented here demonstrate at least two ways in which people in the sixteenth century Ottoman world imagined and sought to control the power of the jinn.

The image above is of one of the most fearsome of the jinn, the ‘Red King,’ also referenced in the story below. He is surrounded by various other ferocious, indeed rather terrifying, jinn, sitting astride a lion. His malevolent nature, had it been in doubt, is emphasized by the decapitated human head he holds in one hand. This image comes from a 15th (or possibly late 14th) century compilation, the Kitāb al-Bulhān, produced in pre-Ottoman Baghdad, a book which features a range of material from the astrological to the occult- subjects and genres that hover somewhere among our modern categories of science, magic, and religion. The image itself contains prophylactic letters and numbers- visible to the left and right of the Red King’s head- which are meant to control this particular jinn’s manifestations. More interesting for our purposes, this manuscript was modified by later Ottoman owners: Ottoman Turkish has been added, and some of the images have been modified. This painting of the Red King bears the most striking modifications. Through some technique the paint has been removed from the jinn chief’s body at strategic points: his neck and hands have been ‘cut,’ his head ‘pierced,’ and his mount’s eye put out. As you might guess these are not accidental injuries to the manuscript, but were done deliberately, almost certainly by a 16th century Ottoman owner (at some point in the 17th century it was acquired by a English collector, who added his own cryptographic writing to parts of the text- but that’s another story!). What is going on here?

In her recent discussion of Ottoman and Safavid devotional artistic practices [1], the Islamic art historian Christiane Gruber drew attention to the physical interactions that audiences of manuscript paintings in both empires had with particular images. Along with ‘positive’ devotional acts like the addition of face-covering veils to images of Muhammad and members of the Ahl al-Bayt, kissing and rubbing depictions of Muhammad and others, and other types of practices that modified the image on the page, we also see evidence of symbolic devotional ‘violence’ in images: the faces of Muhammad’s pagan enemies being rubbed out, their necks and hands ‘cut,’ and, in Shi’i contexts, explicitly Sunni figures being ritually defaced. Gruber argues that these actions were seen as relating to the subjects depicted in some way: cutting the necks of Muhammad’s opponents de-fanged their potential power, while allowing the viewer to not just view but participate, albeit at a remove, in the drama being depicted in the picture. Something very similar is going on in this image: whoever modified this image sought to control the power of the Red King through symbolic ritual action, with the understanding that violence done to the jinn’s depiction ‘translated’ to the jinn himself. Note that this is not iconoclasm, at least not in the traditional sense: most of the pictures in this collection have not been modified at all, indicating both the lack of iconoclasm in the book’s audience and the apparently especially dangerous nature of the Red King, dangerous enough that even his image in an occult handbook needed to be ‘brought to heel.’

The second example of controlling the jinn- including the Red King- comes from the saint’s life of ‘Abd al-Wahhāb al-Sha’rānī (d. 1565), Tadhkirat ūlī al-albāb, by Muḥammad Muḥyī al-Dīn al-Malījī. The short story I have translated below is only one of numerous anecdotes in which the saint confronts jinn, both singly and in groups. In these stories a recurring feature, and one that long predated al-Sha’rānī, is the jinn’s occupation of particular places and spaces, especially abandoned human dwellings. The ability of saints to confront and control the jinn was also well established by the 16th century; al-Sha’rānī is shown using his saintly power to mark out spaces in the urban fabric of Cairo, not so much to defeat the jinn as to demonstrate his sanctity by moving into their space and avoiding any harm from them. Continue reading “Two Ways of Dealing with the Jinn in the Ottoman World”

Race, Slavery, and Sainthood in the Early Modern Ottoman World: Some Perspectives

Kadi Sünbül Ali
Kadı Sünbül ‘Ali, as depicted in a c. 1620 Ottoman book of costumes for Western European use, The Habits of the Grand Seignor’s Court, British Museum 1928,0323,0.46.8

Among the circles on Twitter that I follow- and occasionally participate in- in recent weeks the issue of the relationship between ‘the Enlightenment’ and modern notions and practices of racism has emerged as a popular and contentious topic. Now, while I have my own thoughts and theories about the Western European Enlightenment (which was as you can guess from my use of quotation marks a much more complicated affair than either its boosters or detractors tend to make out), what I would like to address here is the question of how race was perceived in a pre-modern, pre-Enlightenment context, specifically, within the Ottoman Empire at a particular time (and among certain groups, not necessarily all, given the sheer diversity of the empire). As such, the example I give here doesn’t necessarily prove anything one way or another about whether or not the Enlightenment ‘invented’ racism or racialized slavery. Rather, what I hope my comments here demonstrate is the complicated ways in which racial, or racial-like, categories, ethnic difference, and practices of slavery (all of which certainly intersected long before the Enlightenment to be sure) interacted. It does not make sense, ultimately, to say that early modern Ottomans were racist, or, for that matter, that they weren’t, or, in terms of slavery, that Ottoman slavery was totally different from slavery in the Americas, or that it was very similar: the reality is, as we historians are (obnoxiously to some!) fond of saying, complicated, and while our modern categories (themselves certainly shaped by, among other things, the Enlightenment(s)) are not totally foreign to early modern Ottoman (or any other) worlds, they must be applied with care if they are to be applied at all. Likewise, while we can often find parallels- unsurprisingly- between Ottoman practices and attitudes and those developing in contemporary Western Europe and the Americas, we ought to be equally sensitive to the differences and divergences.

I’ve taken a single late 17th century encounter, recorded by ‘Abd al-Ghanī al-Nābulusī and translated below along with my commentary, as my main point of departure, a story which I think illustrates well these complexities of racial origin, slavery, and the social limitations and possibilities contained within Ottoman practices of race and slavery, all oriented within a concern for sainthood (a category early modern Ottomans of all confessional varieties would have recognized to some degree or another, incidentally). There are a lot of ways in which we might explore race and slavery in the Ottoman lands: in thinking about race and ethnicity, for instance, we might want to consider the genealogy of ideas about phenotype and human geographical origin in the wider Islamic sphere, a genealogy that we could well trace back to the heritages of the ancient world. In terms of slavery, we might consider the various mechanisms whereby slaves were brought to market in Ottoman cities, the different ways that slaves from different places were perceived and employed, or the interaction of legal norms governing slavery, lived practice, and differing attitudes based on skin color or gender or other characteristics.

Historians have not tackled these issues to the degree that they deserve; Ottoman slavery, while the subject of a handful of monographs and edited volumes, remains poorly understood and overly polemicized. On the question of race and racial identity and prejudice, perhaps the best treatment has come from Baki Tezcan in his article ‘Dispelling the Darkness: The politics of ‘race’ in the early seventeenth century Ottoman Empire in the light of the life and work of Mullah Ali’.’ [1] Mullah ‘Ali, who is almost certainly the ‘kadı’ pictured above, was an Ottoman scholar and jurist of African origin who rose to extreme prominence in the ‘ilmiyye hierarchy, coming close to claiming the highest rank in the scholarly system, that of shaykh al-Islam, the personal patronage-based politics of the Ottoman elite intervening. While he was subject to some degree of insult and prejudice due to the color of his skin- his detractors drawing upon a venerable genealogy of notions within the Islamic world about the supposed inferiority of Africans- Tezcan argues that these insults and prejudice (which Mullah ‘Ali, also following a long genealogy within Islam, combated in writing) were mostly strategic, his opponents not being motivated by racial prejudice but instead deploying it because it was available. This suggests that something like ‘racism’ was culturally available to Ottomans, but with the stress on ‘available’: it was not systematic in any meaningful sense, and it need not bar a well-connected scholar with black skin from rising to the heights of power. That said, Mullah ‘Ali’s story primarily concerns the situation of the rarefied elite of the Ottoman world. What of race and slavery at the level of more ordinary people?

The story that I’d like to focus on in order to approach some aspects of slavery and race at the non-elite level [2] is one that I’ve shared before, but for a different purpose: The Hermit of Ya’bad and His Marvelous Coffee and Good Counsel. There is a great deal going on this little story, with insights about matters from how sacred space was performed in the Ottoman world to the role of coffee culture and its penetration even into the rural Palestinian countryside. But here we will focus on Shaykh Zā’id – the subject of the account – and his relationships with others. We begin with ‘Abd al-Ghanī’s initial encounter, during his passage through northern Palestine during the late 17th century:

And it reached us in that village [of Ya’bad] that there was close by a black [freed] slave from among the divinely drawn (majādhīb) lovers of God, whose name was Shaykh Zā’id, in a cave there at the foot of a small mountain. And it was reported to us that the cave used to not be there, but one day he was present on the mountain and the cave appeared for him. So we went to visit him, and we entered into his cave. It is a small cave, with lots of niches all around the walls, none of which open to the outside. And he was inside sitting on the ground, and he had a small mortar made of wood with which he ground coffee beans, and a small iron coffee roaster. No one who visited him leaves without him giving them coffee to drink. And he makes the coffee from anything that he has on hand, from wheat, barley, from scraps [of coffee?], and chickpeas—but no one who visits him drinks it without it being excellent coffee! And it was related to us that if he needs firewood, he will, with little effort, pluck out a great tree and break it down with his own hand, bring the wood back, and place it in his cave. Continue reading “Race, Slavery, and Sainthood in the Early Modern Ottoman World: Some Perspectives”

Derviş ‘Ömer’s Mother Mocks a Saint

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As I’ve noted before, Ottoman saints’ lives, especially those from the seventeenth century forward, are often wonderful sources for catching glimpses of everyday life in the Ottoman world, or, rather, ordinary life in contact with the extraordinary powers and abilities of a saint. The eighteenth century menâkıb of Şeyh Hasan Ünsî, which I have featured here several times before, has proven to be an especially good source in this regard, and the story I’ve translated here is yet another instance of the intersection of the saint’s life with the everyday lives of ordinary residents of Istanbul. The story is narrated to the text’s author, Ibrahim Hâs, by one Derviş ‘Ömer, about whom we are given no further details beyond what can be picked up from within the story.

There are several points of significance worth pointing out in relation to this account: one, this story revolves around women’s interactions with Şeyh Hasan. Note that the women in the story interact with the saint quite freely, leaving their house to visit him, entering his presence, kissing his hand, and so forth- while this sort of interaction sometimes drew criticism from other quarters of Ottoman society, here there is no sense of impropriety or critique at all. What is ‘problematic’ from the view of the saint and of the storyteller and the rest of his household, however, is the fact that Derviş ‘Ömer’s mother (whose name is not given in the story), while in some sense a ‘believer’ in the saint, also feels no compunction in parodying his actions, namely, his practicing the ritual of ‘reading and blowing,’ that is, reciting certain efficacious prayers then blowing upon the person seeking healing, the idea being that the saint’s breath will convey healing bereket. If as you imagine a şeyh doing this you find it a bit humorous, you’d be in the company of the people in ‘Ömer’s household, too: hence this story helps us to imagine what sorts of things an eighteenth century Ottoman subject might find funny, such as, evidently, pantomiming a saint.

If you’re also thinking that perhaps pantomiming a saint might not be especially pious and could lead to trouble- especially with Şeyh Hasan, who seems to have been a bit testy- you’d also be right, and that is the ultimate moral of the story, which follows after this helpful illustration:

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Hailing from a different story, this illustration from Atayı’s Hamse provides a good visualization of sleeping arrangements in an Ottoman house (though the furnishings along the wall indicate a more lavishly equipped dwelling than the one suggested in our story). (W.666.35B)

There was a child from among our relatives in our household who became sick. My mother and the child’s mother, along with a couple other women of our household, went to visit the şeyh of Aydınoǧlu Tekke, Ünsî Hasan Eendi, in order for him to read over the child, saying to him, ‘Read over this child.’ The venerable Şeyh read over and blew upon the child, then my mother with the other women came home, and in that very moment the child became well.

After my mother returned from visiting the venerable Şeyh, in order to make the women and children in our household laugh said to them, ‘Şeyh Efendi read and blew like this upon the boy—come, let me read over you!’ Saying this she summoned the women in the household and some came and sat down before her. My mother filled her cheeks with air then blew on them, and they all laughed. She did this a couple of times.

When evening came we performed the evening prayers, then put on our clothes for sleeping. There were no people from without the household (nâmahrem) among us. Our house being narrow, we all lay down in one room. We all went to sleep. At some point in the night from our midst there came a great groan and the sound of kicking about. Exclaiming, ‘Who is this, what’s going?’ we all woke up. I lit a candle and saw that it was my mother! She had turned a shade of deep purple and with great anguish she was kicking about, her eyes closed, saying nothing, her mind gone, hearing nothing of our words. We were all scattered about [the room], but we gathered to her, not knowing what to do. She kicked about in this condition for about an hour, struggling. This kept on until suddenly, she went senseless and lay down. ‘Is she dead?’ we cried, but checking we saw that she was fine. For about two hours she lay senseless. Afterwards she gradually grew paler, and a while after that her intellect returned and she opened her eyes, but she was confused. We said, ‘O mother, what happened to you? What changed your condition—this evening there was nothing wrong?’

With sorrow she replied, ‘This evening we all lay down. But while you all fell asleep, I was unable to sleep. I could not close my eyes. I saw before my eyes that the Şeyh Efendi that read over our child had appeared, and at that very moment with power he took hold of my throat and said, “Why did you take me for a laughingstock—am I your laughingstock? Does anyone take me for an object of ridicule?” Saying this he gripped my throat such that while I wanted to cry out and shake it off, I was unable to do so; finally, I passed out. I don’t know anything else.’ Continue reading “Derviş ‘Ömer’s Mother Mocks a Saint”