The One-Handed Calligrapher

LACMA Suleyman Tughra
Sultan Süleymân’s tuǧra (LACMA M.85.237.17)

One of the best-known symbols of the Ottoman Empire must surely be the distinctive tuǧra, a ‘calligraphic emblem’ that functioned as both a sultanic signature and seal for a range of uses in official documents and in other settings. While the tuǧra form was not unique to the Ottomans, having its origins much further back in Turkic history, it achieved its most spectacular and iconic form in the empire, a form- the ‘classic’ version of which can be seen above in Süleymân’s tuǧra- that is often imitated today in Turkey and beyond in contexts ranging from religious calligraphy to café logos. Yet as the following story, taken from the Arabic biographical dictionary (ṭabaqāt) of the Damascene scholar al-Muḥibbī (d. 1699), suggests, in the seventeenth century at least such imitations of the sultanic emblem could land a creative calligrapher in trouble:

The subject of this entry [‘Abd al-Karīm al-Ṭārānī, d. 1632] had a brother named Muḥammad, who was among those well-known for utmost excellence of calligraphy. He was proficient in writing all styles of calligraphy, and he would imitate certain styles in contexts other than their usual usage, such that he even imitated the sultanic emblem (‘alāma). He traveled to Cairo, where something happened that led to word of his imitating the tuǧra reaching the governor of Cairo. So he had him brought into his presence, and pressed him to confess [having done] that. He confessed, and his right hand was cut off. Afterwards, he would wrap [the stub of] his hand in a cloth rag which he used to attach the pen to himself and so continue to write!

Muḥammad Amīn ibn Faḍl Allāh al-Muḥibbī, Khulāṣat al-athar fī aʻyān al-qarn al-ḥādī ʻashar (Beirut: Maktabat Khayyāt, [1966]), vol. 3, 12.

Now, the tuǧra was not entirely restricted to sultans during this period, as tuǧras, or at least emblems very close in style and form to the sultanic tuǧras, were used by high officials, in particular governors of Egypt. Nonetheless, Muḥammad al-Ṭārānī’s story indicates that its usage was indeed restricted, and that imitation, in whatever context, was frowned upon, to put it mildly. It’s not hard to imagine why this would be: tuǧras were not merely decorative, but acted as official stamps or seals upon documents and other objects, conveying legitimacy and power in their unique and difficult to master style. Unauthorized copying, for whatever reasons, could at the very least dilute the tuǧra’s distinctiveness, or even be used to forge counterfeit documents. Over time, particularly, it seems, thanks to the innovative calligraphic work of Sultan Ahmed III (who innovated the ‘hadith-tuǧra’) in particular, the tuǧra form would be used in a wider range of contexts, including by people with no status within the elite hierarchy at all, without repercussions. Not much solace for our poor calligrapher, however- though at least he was able to carry on despite the draconian punishment for his act of calligraphic license.

Dish with 'Tughra-illuminator' Design,ca. 1540–50
If overt imitation of the tuǧra was, for a while at least, discouraged, the illumination style of the tuǧra, visible in the above example from Süleymân, was reproduced in other contexts, such as in ceramics, like this dish from c. 1540-50, its scrolling tendrils drawn from tuǧra illumination. (Met. 41.45)

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On the Answering of Questions in the World of Dreams: Two Early Modern Dreamers

https://www.britishmuseum.org/collectionimages/AN00048/AN00048819_001_l.jpg
A satirical print of a Quaker preaching session, after a work by Egbert van Heemskerck I, produced c. 1690, and while satirical in intent, an accurate enough depiction of both Quaker clothing styles as well as the ubiquity of women in Quaker life and practice, their authority on ‘religious’ matters not a given as the very existence of such satirical prints would indicate. (BM 1854,0812.49)

Across the early modern world- in Afro-Eurasia and in the Americas, their population of European and African descent rapidly increasing- the world of the dream was an important ‘place’ in which people of all origins and backgrounds might receive knowledge of things unknown to them, prescience of events to come, and even divine inspiration. The importance of the dream world- a ‘landscape’ at once like and unlike that of the physical world of waking life- resonated among Catholics, Protestants, Muslims, Orthodox, Jews, and others, often in forms and in contexts of striking similarity. The following two dream accounts- one from an English Quaker woman, Elizabeth Webb (1663-1726) , the other from the Ottoman Syrian sufi, saint, and frequent presence on these pages ‘Abd al-Ghanī al-Nābulusī (1641-1731)- come from milieus in some ways quite different from one another. Webb was a Quaker preacher whose career took her on a journey through the still young North American colonies along the Atlantic Coast; she passed but a few miles south of where I am now writing in fact, spending some time among the Quaker communities of Maryland and Virginia (sources of the tobacco that would feature quite prominently in ‘Abd al-Ghanī’s career, in fact). ‘Abd al-Ghanī’s travels took him throughout much of the Ottoman world, threading together communities of sufis and saints in the process, not unlike Webb’s work of joining Quaker settlements through her journeys. Both wrote accounts of their travels, and both presented themselves as beneficiaries of some degree of divine inspiration, not least of all through the medium of dreams.

In both the world of Ottoman Islam and of trans-Atlantic English dissenting Protestantism, dreams were potential sources of the resolution of confusion and of answers for outstanding questions. While dreams could also be themselves sources of confusion and in need of interpretation, particularly for people possessed of sanctity (or who claimed as such for themselves at least) the dream, sent by God to the dreamer, could just as easily be an agent of interpretation. In both of these dreams the dreamer had an outstanding issue- not only that, but their issues were remarkably similar, as were other features of their dreams. Let’s consider Webb’s dream first, which she related in the course of an autobiographical letter to the German Lutheran pietist Anton Wilhelm Böhme (1673–1722), long resident in London as a chaplain:

Oh! it is good to trust in the Lord and be obedient to him, for his mercies endure forever; so about the middle of the twelfth month [1], 1697, through the good providence of the Almighty, we arrived in Virginia, and as I traveled along the country from one meeting to another, I observed great numbers of black people, that were in slavery, and they were a strange people to me, and I wanted to know whether visitation of God was to their souls or not, and I observed their conversation, to see if I could discern any good in them, so after I had traveled about four weeks, as I was in bed one morning in a house in Maryland [2], after the sun was up and shone into the chamber, I fell into a slumber, and dreamed I was a servant in a great man’s house, and that I was drawing water at a well to wash the uppermost rooms of the house, and when I was at the well, a voice came to me, which bid me go and call other servants to help me and I went presently; but as I was going along in a very pleasant green meadow, a great light shined about me, which exceeded the light of the sun, and I walked in the midst, and as I went on in the way, I saw a chariot drawn with horses coming to meet me, and I was in care lest the light that shone about me, should frighten the horses, and cause them to throw down the people which I saw in the chariot; when I came to call them, I looked on them, and I knew they were the servants, I was sent to call, and I saw they were both white and black people, and I said unto them, why have you stayed so long? And they said the buckets were frozen, we could come no sooner, so I was satisfied the call of the Lord was unto the black people as well as the white… [3]

At root here is the question of how Webb- and by extension, other Quakers- were to understand people of African descent, and how they were to relate them (or not) to the Quaker community. Webb is also making an argument for her own authority: in this dream God- implicitly, as she does not say so in so many words- authorizes her to incorporate blacks as well as whites into the Quaker community, resolving through a direct intervention her question. Continue reading “On the Answering of Questions in the World of Dreams: Two Early Modern Dreamers”

The Sesame Presser Turned Saint Who Almost Threw a Qadi in the Water

Divan of Mahmud `Abd al-Baqi Abu Sa'ad teaching
A depiction, from a mid-sixteenth century illumined copy of the Divân of Mahmûd ‘Abdülbâkî, of the most prominent Ottoman jurist of the century, Muhammad Ebussuûd Efendi, (d. 1574), and a circle of students, wearing clothing typical of the Ottoman ‘ilmiye hierarchy from which kâdîs, such as the one in the story below, were recruited. 

As I’ve discussed in these digital pages before, one of the most fascinating and insightful ‘variety’ of Muslim saint in the early modern Ottoman world was the majdhūb (Ott. Turk. meczûb), the ‘divine attracted one,’ a strange and often disruptive and even antinomian figure who became a fixture of many Ottoman cities and towns in both the Arabic and Turkish speaking portions of the empire. Like the holy fool (yurodivy) in the Russian lands during the same period, [1] the majdhūb often engaged in public acts of disrespect towards holders of political power and authority, often with a sharp edge of political critique which might not have been tolerated from other actors. Such an act of transgressive, symbolic political intervention featured strongly in the remembered life story of the majdhūb I’m profiling today, one Abū Bakr al-Mi’ṣarānī al-Majdhūb (d. 1605), of Damascus.

He was profiled by the prominent Damascene scholar and biographer Najm al-Dīn al-Ghazzī, who personally knew and revered the saint, to the point that towards the end of Abū Bakr’s life he would even spend nights in the al-Ghazzī family home, talking with Najm al-Dīn deep into the night. Abū Bakr had humble origins and source of livelihood, having worked, as his laqab al-Mi’ṣarānī indicates, as an oil-presser, until one night while in a dhikr assembly (that is, a session of ritual remembrance of God) under the leadership of Shaykh Sulimān al-Ṣawāf al-Ṣufī, Najm al-Dīn’s brother Shihāb al-Dīn in attendance as well, ‘lightning flashes from God flashed out to him and seized him, so that he entered divine attraction, stripping off his clothes and going naked, save for his genitals. Then the state left him after some months, returning to him every year for three or four months. He was hidden in it from his senses, and would utterly shave away his beard and go naked [2].’ Besides embracing the typical majdhūb distaste for proper clothing and facial hair, both also characteristics of ‘antinomian’ dervishes, Abū Bakr also engaged in playful ‘assaults’ on people, demanding money from them, which he would then distribute to the poor. When not in his state of jadhb he would practice silence and acts of worship, secreting himself in the Umayyad Mosque. When ‘under the influence’ his state was clearly a fierce and potentially dangerous one, especially to members of the Ottoman elite. His inner potency was further indicated by a dream al-Ghazzī reports, in which, having asked God to reveal Abū Bakr’s true ‘form’ to him, the scholar behold the majdhūb transmuting into the form of a lion, then back to his human form. ‘That made manifest that he was from among the Abdāl. When day came I saw him, in his condition, and he laughed at me, and said to me: “How did you see me last night?”’ [3]

Continue reading “The Sesame Presser Turned Saint Who Almost Threw a Qadi in the Water”

Shared Ottoman Worlds of Imagination

The Prophets Ya'qub (Jacob) and Yusuf (Joseph) seated together, from The Cream of Histories (Zubdat al-tawarikh) by Sayyid Luqman-i 'Ashuri
The Prophets Ya’qub and Yusuf seated together, from the 1585-1590 ‘Cream of Histories’ (Zubdat al-tawârîḫ) by Lokmân-i ‘Âshûrî (d. 1601), (Chester Beatty Library T 414)

The two images in this post come from almost contemporary Ottoman manuscripts, one (above), a major work of history in Ottoman Turkish, the Zubdat al-tawârîḫ of Sayyid Lokmân produced in Istanbul, the other (below) a sort of abridged Bible (though it might be better thought of as an exegetical textual and visual condensation and rearrangement of the Bible) in Armenian, produced in Amida (modern-day Diyarbakır). The Zubdat was completed in 1590, while the Bible chart- and chart is probably the aptest term here- in 1601. There is much that could be said about these texts, and the Zubdat has been studied both for its art historical value as well as in reference to recent scholarly literature on Ottoman historiography and memory construction. The Armenian text (though neither work is fully described by ‘text’ in any meaningful sense) may have been studied in some context but I myself am not aware of any such work.

What struck me in looking at these two manuscripts side-by-side, as it were, is the similarity in the visual structuring of the information on the page. Both manuscripts employ a similar cartographic, architectural style, even if the details and other artistic traditions at work obviously vary. In the one history in a universal (but still very much ‘sacred’) key is displayed and ‘mapped,’ in the other history as a part of the Biblical narrative. Images of important figures are framed- literally- by architectural details, while names and terms are mapped out along the page in hierarchical, linked order, the little textual roundels like points on a map.

No doubt there is much that could be made of the similarities in these works, similarities which suggest shared ways of organizing and visualizing information, the relationship of text and space, as well as understandings of the nature of scripture and history. Determining why these similarities exist would require examining just such shared contexts as well as other historical, and perhaps Ottoman-specific, developments and historical rhythms. These two works placed in dialogue are also a good demonstration of the limitations of ‘influence’ as a category of analysis: completed within ten years of one another, one in the world of the Topkapı at the imperial, the other in an Armenian scriptorium at the eastern edge of the empire, the came into being all but simultaneously, and point to contexts and historical currents operative across the empire and through multiple social and cultural channels, not confined to particular locations or to one religious and linguistic tradition only.

Abridged Bible Amida
Page from an Armenian ‘abridged Bible’ produced in Amida in 1601 by Aslan and Hovannes (Chester Beatty Library Arm 551)

The Jinn-Cat and the Şeyh

The following curious little story comes from the sixteenth century menâkıb of the early Ottoman sufi saint Şeyh Akşemseddîn (1390–1459), written by one Göynüklü Emîr Hüseyin Enîsî, and discussed previously on this site here. The account below comes in a sequence of tales of the Şeyh’s relationship with the jinn, mysterious beings that are in some ways half-way between humans and angels. Like several other of the tales in the sequence, this story has as its ‘moral’ the need for regulation of relationships between jinn and humans, not their absolute suspension. The jinn-turned-cat feature here is not a malevolent character, but rather genuinely wants to be in the presence of the saint. The strange voice without the door is rather obscure to me- does it represent another strange being, perhaps, attracted by the presence of the jinn-cat? Some details are left up to the reader’s imagination, reflecting, no doubt, the originally oral context in which these accounts were developed and in which they circulated before Emîr Hüseyin put them to paper, preserving them for much later audiences.

index
A (presumably non-jinn) cat at the feet of a shaykh, from a magnificent 16th century Safavid composition, attributed to Mir Sayyid ‘Ali, depicting a city at night- note the burning wall lamp in the top right. Detail from Harvard Art Museum 1958.76.

There was a jinn who loved the Şeyh. Unbeknownst to the Şeyh, the jinn took on the form of a cat, and was constantly in the Şeyh’s house, never leaving. One night the Şeyh went to sleep. The cat curled up beside the hearth. The Şeyh was sleeping soundly when from outside the front door there came a great and powerful strange voice. The cat stood up, and answered from behind the door. The one outside said, ‘I am very hungry! Give me something to eat—let me eat, open the door and I’ll come in!’

But the cat replied: ‘The Şeyh’s door is locked with the bismillah, so the door cannot be opened to give you food.’ However, the Şeyh had earlier cooked some köfte kebab, which [the cat] put through a slot in the door, saying, ‘Eat some of this!’ So it happened. The Şeyh saw it but made no sound and went back to sleep. Morning came. After finishing his prayers, he called out to the cat relating what had happened in the night. The cat twitched, then came [to the Şeyh]. The Şeyh said: ‘It’s difficult for a human and a jinn to always be in one place together. So go now, and come sometimes.’ So the jinn came from time to time, paying Akşemsüddin a pious visit (ziyâret iderdi).

Emîr Hüseyin Enîsî, Akşemseddin hazretleri ve yakın çevresi: Menâkıb-ı Âkşemseddîn, edited by Metin Çelik  (İstanbul: Ark, 2016), 66. Translated by Jonathan Parkes Allen, 2019.

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Teacher, Student, Text, and the Control of Knowledge in Early Modern Damascus

https://images.metmuseum.org/CRDImages/is/original/DP239313.jpg
The Damascus Room at the Metropolitan Museum of Art, a winter reception room (qa’a), dating to c. 1707 (Met 1970.170). Once part of a home in Damascus before its disassembly and transportation to New York City in the 1930s, this room resembles the reception hall of a well-to-do Ottoman family in early modern Damascus, though some elements were added later or otherwise modified. ‘Abd al-Ghanī’s house may well have contained a room, if not quite of this opulence, along these lines, for the greeting and hosting of guests.

Introduction: ‘Abd al-Ghanī al-Nābulusī (1641-1731), a frequent presence on these pages, embodied many roles and identities over the course of his long life, a life that spanned major transformations in the nature of the Ottoman Empire in which he lived, as well as changes occurring in the wider world of early modernity. For many during his lifetime, and even more so after his death, he was a preeminent, even the preeminent ‘friend of God’- saint- of his age. His role as a major theological and philosophical thinker, author, and teacher was often seen as an aspect of his sainthood, the sheer scope of his literary productions and teaching activities, instructing all sorts of people in all sorts of subjects, as evidence of his special relationship with God. The passages that I have translated below are taken from the expansive biography written by ‘Abd al-Ghanī’s great-grandson, Muḥammad ibn Muḥammad al-Ghazzī (1760-1799), titled Wird al-unsī wa-al-warid al-qudsī fī tarjamat al-ʻārif ʻAbd al-Ghanī al-Nābulusī. One of the longer chapters of this work consists of biographical entries, some brief, some quite long, of ‘Abd al-Ghanī’s many disciples and students, demonstrating the shaykh’s numerous social ties and relationships as well as the geographic reach of his instruction and saintly reputation.

The entry translated here- aside from the introductory paragraph, which I will summarize- concerns one Muṣṭafá Ṣafī al-Dīn al-‘Alwānī (1696-1779), a member of the ‘ulama of the city of Hama, descendant of a sixteenth century sufi saint, but whose later career was primarily based upon his skill as a poet and littérateur. In 1722 he came to Damascus from Hama in the company of his primary teaching shaykh, one Muhammad ibn Maḥmūd al-Ḥabbāl, taking up residence in the Bādharā’iyya madrasa. They both went together to visit ‘Abd al-Ghanī, who by 1722 was advanced in years and well established reputation-wise as both a saint and scholar. Our account picks up with Muṣṭafá meeting ‘Abd al-Ghanī for the first time.

Commentary follows the translation, but a few explanatory words will guide the reader unfamiliar with some of the conventions and terminology. Muṣṭafá wants to ‘read’ a book under ‘Abd al-Ghanī’s supervision, which entails, following a long-standing convention in the Islamic world (with analogues elsewhere in medieval and early modern Eurasia) whereby one would study a book by writing it down for one’s self or even memorize it, reciting back what one had written or memorized to the author, who would then grant an ijāza, a ‘certificate,’ stating that the student had properly received the text in question and was authorized to transmit it himself (or on occasion herself). The sessions in which this process took place could also allow the author to explicate and clarify the text. The verb that I alternatively translate as ‘read’ and ‘recite’ is qara’a, a particularly multivalent verb, which can also have the meaning of ‘study,’ as it in fact does here.

https://images.metmuseum.org/CRDImages/is/original/DT202037.jpg
A stained glass window that once decorated an Ottoman home in Syria or Egypt, made at some point in the 18th century (Met. 93.26.3).

Translation: Love of [‘Abd al-Ghanī] seized the whole of his heart, so he returned to him and sought permission to read under him, asking which book [he should read]. The Master (al-ustādh) said to him: “Read our book on the oneness of being named al-Wujūd al-ḥaqq.” Then the Master gave him a quire (kurrās) from out of his own copybook, saying to him, “Write it down in your own handwriting, lesson (dars) by lesson.” He specified to him that the time of the lesson would be on Friday after the ṣalāt, and that every week he would read one lesson. [Muṣṭafá] would take the notebook and write it down in it. So it occurred that every Friday he would go to the Ṣālaḥiyya [neighborhood] and enter the house (dār) of the Master after the ṣalāt, kiss the hand of the Master and sit down. Then the Master would raise his head from writing and say, “Recite.” He would recite, then kiss his hand and go. He did this for a while, though his shaykh, al-Ḥabbāl, did not know about it. One day this Shaykh al-Ḥabbāl entered [Muṣṭafá’s madrasa] room, previously mentioned, began leafing through his loose pages and books, and found the book of the Master, al-Wujūd al-ḥaqq, in his possession, he having written out a goodly portion of it. He asked him about it, and he told him that he was reading the book under the Master’s supervision and so forth. Al-Ḥabbāl said to him by way of advice, “My son, you are not ready to read the like of this book, you don’t have the disposition for understanding the books of ḥaqā’iq [‘esoteric’ theology]. If you want to receive something from the Master and derive blessing from him, read under him a book on the technical terms of hadith, and get an ijāza from him—that much will suffice you.” So [Muṣṭafá] complied with his words. In accordance with his custom on Friday he went with a portion of what he had written out to the Master, this time from the book Sharḥ al-Nukhba [by Ibn al-Ḥajar (1372-1449)], on the knowledge of technical vocabulary. He entered into the Master’s presence, kissed his hand, and sat down. The Master did not raise his head from his writing, and did not say anything to him! He remained looking at him until the ‘aşr adhān [call to prayer] of that day, and the Master arose, prayed the ‘aṣr ṣalāt, then after completing his prayer looked at [Muṣṭafá] and said, “Ya Sayyīd Muṣṭafá, we do not instruct save our own books, and if you wish to read under us then read our books!” He did not expand upon those words any further. Muṣṭafá understood that what he had intended to ask of the Master had been revealed to him by way of unveiling, and he resumed his completion of the recitation of the aforementioned book.’ Continue reading “Teacher, Student, Text, and the Control of Knowledge in Early Modern Damascus”

Converting Constantinople after the Conquest: Akşemseddin’s Finding of Ebû Eyyûb

Şehname-i Selim Han (BL Or. 7043)
Sultan Selîm II (r. 1566-74) visits the shrine of Ebû Eyyûb, from the poet Lukmân’s Şehname-i Selim Han (BL Or. 7043)

Perhaps the best-known, and most-visited, Islamic place of pilgrimage in modern-day Istanbul is the tomb-shrine complex of Ebû Eyyûb (Ar. Abū Ayyūb al-Anṣārī), located in the eponymous quarter of Eyüp, just north of the Theodosian  land walls along the Golden Horn. Ebû Eyyûb, an early Muslim (one of the Anṣār, the ‘helpers,’ who joined the fledgling community later than the Companions), was said to have died during the unsuccessful Muslim siege of Constantinople in 669, being buried where he fell without the walls. His tomb, whose ‘discovery’ is described in the text below, would become a center of visitation soon after Mehmed II’s conquest of the city in 1453, and over time there would be built up the sprawling array of mosques, medreses, tombs, cemeteries, and so on that encompasses the main tomb-shrine complex. The tomb itself has gone through many permutations since the above image was painted in the early 17th century, but the tomb remains at the center of it all. Its discovery is described in the following story, an account taken from a menâkıb of one of the major Muslim saints of the fifteenth century Ottoman lands, Akşemseddin (1390–1459). The saint’s life was written down by one Göynüklü Emîr Hüseyin Enîsî in the mid-sixteenth century, drawing upon oral narratives circulating in his native Göynük, the small west Anatolian town where Akṣemseddin eventually settled and where he would die and be buried, and elsewhere, in including in Constantinople. This story picks up from Akṣemseddin’s close relationship with Mehmed II, who has just led the conquest of the city from the Byzantines:

Ottoman Velvet

Then Constantinople was conquered. Sultan Muhammed [Mehmed Fatih] sought from Akşemsüddin the exalted tomb of Ebû Eyyûb. The Şeyh, finding a thicket growing in the midst of the exalted tomb, marked it out by placing his staff to the right side of Ebû Eyyûb’s body. But someone took the staff, so that the marker that the staff had provided of the place was hidden, and it was said to the Şeyh, ‘The marker has gone away, do designate it once again!’ So they Şeyh returned to the place. He set up his staff, and they began to dig, and he stood up the hidden markers [under the ground].

Akşemsüddin then said: ‘This is the exalted tomb! The evident sign of this is that the night that Ebû Eyyûb was buried, an ascetic monk (bir ehl-i riyâzat ruhbân) saw in a dream the Prophet, upon whom be peace. The Prophet, upon whom be peace, indicated his desire for the monk to become a Muslim, saying: “One of my companions, Ebû Eyyûb-i Ensârî is buried in such-and-such place. It ought not remain unmarked in this foreign realm,” he said. The monk awoke, his heart filled with the light of faith: ‘I bear witness that there is no god but God and I bear witness that Muhammad is his servant and his messenger,’ he said. He tasted the savor of faith, and with love and purity before morning he went out from the fortifications, and looked for the indicated place. In the place of the exalted tomb he saw a light. Dawn was approaching. This was the exalted tomb. He rubbed his face [upon it]. He built a place of visitation (mezâr) over it, and digging down close by to the tomb uncovered an ayazma [1].

This being so, Sultan Muhammad Hân and all the lords of the devlet [2] came to the exalted tomb and dug, and clearing away the rubble in accordance with the Şeyh’s words uncovered the exalted tomb and the ayazma. Sultan Muhammed Hân then built up the exalted tomb and built for the Şeyh built a hânigâh and a tekye, but the Şeyh did not accept them, and they were made into a medrese later [3].

After having excavated Ebû Eyyûb-i Ensârî’s place of visitation (mezâr), in support of the evidence that the Şeyh had adduced a shepherd came forward and said: ‘This is the exalted tomb! For I was driving my animals along, and upon coming to this place, the sheep would not pass over this exalted place of visitation, but split up to go around it, coming back together afterwards.’ [4]

Ottoman Velvet

There is much to uncover (pun intended) from this story. Ebû Eyyûb was known to have died before Constantinople from a wide range of Arabic sources dating back to the formative period of Islam, but those sources gave no indication of exactly where he was buried, and the conquering Ottomans clearly could find no visible trace of his tomb, as much as they may have hoped to establish its location and so have at hand the holy tomb of a warrior from the earliest days of Islam and who was in direct contact with Muhammad himself, evidence of the long-standing ‘Islamic-ness’ of the city. We can see similar ‘strategies’ at work elsewhere in Anatolia and in the Balkans, through the ‘discovery’ of tombs of figures from early Islam, and the elaboration of stories about them, such as Battal Gazi.

The intervention of Akşemseddin provides saintly authority as to the tomb’s location, which is presented here as being in a basically rural area (as indeed parts of the district, in Byzantine times known as Kosmidion, were devoted to various forms of agriculture well through Ottoman times). Note that he presents a very particular argument with ‘evidence,’ and not just the presentation of his word as authoritative in itself or as a result of a dream-vision delivered to him. He claims instead to have knowledge (though he does not describe how he came about the knowledge) of how the tomb was originally discovered, by a Byzantine monk. This monk, while he (secretly?) converts to Islam through a dream-vision, is notably depicted as already being pious and ascetic even as a Christian, the phrase ehl-i riyâzat one that might be applied to Muslim saints as well. And when he uncovers the tomb of Ebû Eyyûb, he also uncovers an ayazma, a holy well, a typical feature of Orthodox Christian holy places in Constantinople (as discussed in this post), and which is still accessible at the tomb-shrine. The story suggests an awareness of continuity and a need to deal with the existence of Orthodox Christian holy places in the vicinity, such as the monastery and shrine devoted to the saints Cosmas and Damian that stood nearby (the name Kosmodion in reference to this shrine). Even more, it suggests a continuity among the Ottomans from the Orthodox Byzantines of ideas of what constituted a holy place, ideas that would continue to be re-manifest from time to time, as the account of Merkez Efendî’s ayazma indicates. Continue reading “Converting Constantinople after the Conquest: Akşemseddin’s Finding of Ebû Eyyûb”