A View of Constantinople, 1756

The following effusive description of Ottoman Constantinople/Istanbul is from the pen of Timothy Gabashvili, a Georgian cleric who embarked, in the mid 18th century, on a long journey across the Ottoman realms visiting sacred sites, various Orthodox communities, and other sights and places along the way, all of which he would later describe in his Georgian-language record of his pilgrimage. Timothy’s perspective is a somewhat unique one: Georgia in the mid 18th century was still within the Ottoman orbit, but was being aggressively courted by an expansive Russian empire. Timothy himself had previously visited Moscow and the new city of St. Petersburg. Yet in much of his narrative his treatment of the Ottomans is remarkably positive- all of his interactions with Ottoman officials were amiable and productive, and the relationships he managed to forge enabled the success of his pilgrimage. In a relatively few short years- unbeknownst to Timothy or anyone else- the Ottoman world would change a great deal, and a pilgrimage of this sort, and the relationships that made it possible, would be forever lost. In 1756, however, a pious Georgian pilgrim could still feast and drink with Muslim Ottoman notables, and wax poetic in praise of the the Ottoman incarnation of the City of cities.

Panorama of Istanbul, Ottoman, late 18th – early 19th century, 58 x 27.1 cm, SHM 12449 – İ.1285 / From the Sadberk Hanım Museum, Istanbul

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Now, I’ll say something about the city of Constantinople. The lure of the city’s radiance has spread its beauty to distant parts of the world and even the capitals, because in no other place can one find Asia and Europe together. Among them, running down from the Black Sea, there flows a narrow sea like a river. It runs, with spouts of foam. Constantinople is founded on it and on the mountains by the hand of Sabaoth. The mountains are lavishly covered with spruce trees and Lebanese cypresses. The city has been built on both sides of the sea that flows in a narrow stream. The structure of the walls, the towers and the battlements are splendidly coloured. The windows of the palaces sparkling in different ways, resembled Eden.

Some of the palaces, vaults and bazaars of the city were covered with lead, the gilded roofs of the palaces and springs shone like the sun shining on the city, and the colour of other buildings in the city was scorched clay, or purple, a hue also like the sunset. The ships in the city stood erect like the trunks of poplar trees. Among the groves of selvinu, ghaji, and cypress trees, there was a glimpse of the royal palaces, and the buildings were veiled in the forest of pine and spruce groves. This capital seemed to me like the brightest among the stars, like a rose among the flowers of Eden, like a jacinth among the precious emeralds, like the rainbow in the clouds, and Augustus Caeser among the kings. I found it very difficult and sad to be leaving Constantinople, as I, who had come here after a great many sufferings and hardships, would never see it again. My eyes and my mind competed in emotion when viewing this marvelous city

Timothy Gabashvili, Pilgrimage to Mount Athos, Constantinople, and Jerusalem, 1755-1759, trans. by Mzia Ebanoidze and John Wilkinson

 

To Drive Away the Vampires: Music from the Balkans

Below is a wonderful sampler of music, via Baltimore-based Canary Records, from across the Balkans, culled from albums produced from the 1930s to the 1970s, so ‘modern,’ but not that far removed from the pre-radio, pre-recording, pre-nationalist past. One of the enduring legacies of the Ottoman Empire is the vast, diverse, yet inter-related soundscape of music practiced by the various ethnic, religious, and linguistic groups that dwelt in and moved across the Ottoman realms, carrying and transmitting and sharing their musical traditions, to the extent that no musical tradition remained sealed off from others. One can hear that multiplicity and interconnectedness in this lovely sampler; another good example, drawn from recent field recordings, is the album Mountains of Tongues, an assembly of contemporary ‘traditional’ music from the Caucuses, a region that, like the Ottoman Empire (which indeed included parts of the Caucuses) was and is a tapestry of traditions and identities.

Battleground National Cemetery

One of the smallest American national cemeteries, this tiny cemetery is wedged between residential developments off of Georgia Avenue in the far northeast corner of the District of Columbia. The soldiers (mostly soldiers anyway) interred there were, for the most part, killed during the battle of Fort Stevens, a half mile or so distant, in 1864. Today the cemetery is an odd little oasis of green, the grass tall, the trees rambling, a rather poignant setting for the bits of nationalist piety, half bellicose, half sorrowful, that pepper the little block of green.

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Sufi Air Delivery

[The Sufi shaykh] Abū Turāb al-Ramlī: He was setting out from Mecca with his companions when he said to them: ‘You will go on the road to Jeda, while I go on the road to Tubuk.’ They said: ‘The heat is oppressive!’ He said: ‘No help for that—but, when you get to Ramla, go into the house of So-and-So, our friend!’ When they arrived in Ramla, they went into his house. He brought them four pieces of broiled meat, and a hawk swooped down from the sky and snatched one of the pieces. They said, ‘Well, that wasn’t meant for us,’ and ate the remaining pieces. When, after two days, Abū Turāb came, they asked him: ‘Did you find nothing on the journey?’ He answered: ‘No, rather, on such-and-such day a hawk tossed a piece of hot broiled meat to me!’ They said: ‘Well then, we have eaten together, for it was snatched from us.’ Abū Turāb said: ‘True, it was thus!’

From Jāmī (1414-1492), Nafaḥāt al-uns ḥaḍarāt al-quds