thinking out loud, i.: history, technology, anthropocene, and ways forward

Starting as an occasional figure- at least, unless/until I decide to migrate this feature to another possibly more suitable platform (no, probably not going to start a Substack, unless there’s some strange surge of my readers demanding it)- I’d like to offer my relatively unfiltered thoughts as expressed in my personal daily register of thoughts, ideas, and assorted cognitive ephemera (including my daily to-do lists, which I will not burden you with). The following was inspired by, among other things, reading a recent article by Alan Jacobs, but is really but a beginning iteration in some theoretical and methodological approaches I hope to pursue at greater length and depth in the coming months and years, God willing. I hope my thoughts are useful, and welcome critique- keep in mind this as close to flow-of-consciousness writing I’m liable to release into the wild!

Medieval and early modern worlds as expressed in their multiplicitous traces provide, not resources—a word we ought to generally avoid I think given the connotations hoisted upon it in industrial capitalist discourse—as starting points, spaces to inhabit, relational matrices with which to interact, to draw upon, to take from and to give, as windows out of our own anthropocenal techno-dystopias. The natural sciences and in particular I think natural history and related disciplines provide a similar outlet, as do more obviously arts and philosophies; and there is no hard and fast division in all of these. Medieval and early modern religious art, to pluck a single example (and interpreting ‘art’ here in a maximally capacious way), should orient us towards different relationships with materiality and the body and their relations with others (including, or most particularly, the Divine Other); such a re-orientation is not, or need not be, discontinuous with the insights and contexualizations that the sciences offer, but can serve as a means towards a productive and healthy consilience of not just knowledge in the scholarly sense but of an integrated and lived consilient knowledge. Indeed it is somewhat ironic that even as modern science has permitted us to better intellectually (and, if we make the jump, imaginatively and spiritually) situate ourselves in relation to a vast, complex, and dynamic cosmos of materialities and processes and relations and histories of which we are integral parts, never in the history of our species has our day-to-day phenomenological interface with ‘nature’ been more reduced and distant, never have we known so little of the world around us in terms of experience and phenomenological participation and imagination.

The way forward is not to jettison our scientific appraisal of the world or to refuse further knowledge and appreciation, but rather if anything to, at a minimum, make that knowledge more broadly accessible and shared, and to find ways to integrate it into a renewed daily contact with and experience within the natural world itself, as we build out ways of life that enable such and which cultivate genuine ecological flourishing for other organisms as well. There is no reversing, no returning to a real or imagined past; but neither are we automatically locked into the paths laid out by technology and life worlds and patterns as they currently exist. If it does nothing else the study of history, of history across many scales and regions and chronological units, demonstrates that configurations of technology and culture, that experiences and embedding in the world, are not necessary or universal or automatic upon the mere existence of certain techniques or technologies or patterns of life. There is no obvious and inexorable superiority to one form of rule or to one technical regime, but rather such things must at some level emerge out of choice and adaptation, even if at a certain register or scale of use they obtain a hegemonic and self-directing character. Yet even this last is not absolute, and like all else is subject to change.

While I do think that radical and disruptive measures are needed, particularly as the global ecological and climatic ‘crisis’ (perhaps not the best word for something that is deep, structural, and relative to our lives and frames of reference at least slow-moving) only grows more pronounced and unavoidable with every passing year, it is the case that cultural and social and all the other metrics of change in fact move rather glacially, and any sustained movements towards a new and better culture of technics and ways of life must interject at ten thousand diverse points of contact, and must be understood as cumulative and processional, without promise of any clearly legible end point or conclusive moment. Even small victories in such an understanding can prove—though of course nothing is inevitable, until, perhaps, it is—in the long run of great significance, and not simply objects of physiological hope and perhaps self-delusion.

Sense Can Come Only From the Sacred

‘The omnipresent Nietzschean or Sartrean chimera which proclaims that man can liberate himself totally, from everything, can free himself of tradition and of all pre-existing sense, and that all sense can be decreed by arbitrary whim, far from unfurling before us the prospect of divine self-creation, leaves us suspended in darkness. And in this darkness, where all things are equally good, all things are also equally indifferent. Once I believe that I am the all-powerful creator of all possible sense, I also believe that I have no reason to create anything whatsoever. But this is a belief that cannot be accepted in good faith and can only give rise to a desperate flight from nothingness to nothingness.

‘To be totally free with respect to sense, free of all pressure from tradition, is to situate oneself in a void and thus, quite simply, to disintegrate. And sense can come only from the sacred; it cannot be produced by empirical research. The utopia of man’s autonomy and the hope of unlimited perfection may be the most efficient instruments of suicide ever to have been invented by human culture.’

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« La chimère nietzschéenne ou sartrienne, tellement répandue parmi nous, selon laquelle l’homme peut se libérer totalement, se libérer de tout – de toute la tradition et de tout sens préexistant– et qui proclame que tout sens se laisse décréter selon une volonté ou un caprice arbitraires, cette chimère, loin d’ouvrir à l’homme la perspective de l’autoconstitution divine, le suspend dans la nuit. Or dans cette nuit où tout est également bon, tout est, aussi bien, également indifférent. Croire que je suis le créateur tout-puissant de tout sens possible, c’est croire que je n’ai aucune raison pour créer quoi que ce soit. Mais c’est une croyance qui ne se laisse pas admettre de bonne foi, et qui ne peut que produire une fuite enragée du néant vers le néant.

« Être totalement libre à l’égard du sens, être libre de toute pression de la tradition, c’est se situer dans le vide, donc éclater tout simplement. Et le sens ne vient que du sacré, parce qu’aucune recherche empirique ne peut le produire. L’utopie de l’autonomie parfaite de l’homme et l’espoir de la perfectibilité illimitée sont peut-être les outils de suicide les plus efficaces que la culture humaine ait inventés. »

Leszek Kolakowski, ‘La revanche du sacré dans la culture profane,’ translated by Agnieszka Kolakowska, in Le besoin religieux, 1973