Bogland

We have no prairies
To slice a big sun at evening—
Everywhere the eye concedes to
Encroaching horizon,

Is wooed into the cyclops’ eye
Of a tarn. Our unfenced country
Is bog that keeps crusting
Between the sights of the sun.

They’ve taken the skeleton
Of the Great Irish Elk
Out of the peat, set it up,
An astounding crate full of air.

Butter sunk under
More than a hundred years
Was recovered salty and white.
The ground itself is kind, black butter

Melting and opening underfoot,
Missing its last definition
By millions of years.
They’ll never dig coal here,

Only the waterlogged trunks
Of great firs, soft as pulp.
Our pioneers keep striking
Inwards and downwards,

Every later they strip
Seems camped on before.
The bogholes might be Atlantic seepage.
The wet centre is bottomless.

Bogland, Seamus Heaney, in Door Into the Dark (1969)

Be Adept and Be Dialect

I stood between them,
the one with his travelled intelligence
and tawny containment,
his speech like the twang of a bowstring,

and another, unshorn and bewildered
in the tubs of his wellingtons,
smiling at me for help,
faced with this stranger I’d brought him.

Then a cunning middle voice
came out of the field across the road
saying, ‘Be adept and be dialect,
tell of this wind coming past the zinc hut,

call me sweetbriar after the rain
or snowberries cooled in the fog.
But love the cut of this travelled one
and call me also the cornfield of Boaz.

Go beyond what’s reliable
in all that keeps pleading and pleading,
these eyes and puddles and stones,
and recollect how bold you were

when I visited you first
with departures you cannot go back on.’
A chaffinch flicked from an ash and next thing
I found myself driving the stranger

through my own country, adept
at dialect, reciting my pride
in all that I knew, that began to make strange
at that same recitation.

Seamus Heaney, April 13, 1939- August 30, 2013. ‘Making Strange,’ in Station Island.

Memory eternal.

Blackberry-Picking

Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You are the first one and its flesh was sweet
Like thickened wine: summer’s blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk-cans, pea-tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills
We trekked and picked until the cans were full,
Until the tinkling bottom had been covered
With green ones, and on top big dark blobs burned
Like a plate of eyes. Our hands were peppered
With thorn pricks, our palms sticky as Bluebeard’s.

We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur,
A ray-grey fungus, glutting in our cache.
The juice was stinking too. Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying. It wasn’t fair
That all the lovely canfuls smelled of rot.
Each year I hoped they’d keep, knew they would not.

Seamus Heaney, ‘Blackberry-Picking,’ in Death of a Naturalist (1966)

And Elderberry I Have Learned to Call It

Soft corrugations in the boortree’s trunk,
Its green young shoots, its rods like freckled solder:
It was our bower as children, a greenish, dank
And snapping memory as I get older.
And elderberry I have learned to call it.
I love its blooms like saucers brimmed with meal,
Its berries a swart caviar of shot,
A buoyant spawn, a light bruised out of purple.
Elderberry? It is shires dreaming wine.
Boortree is bower tree, where I played ‘touching tongues’
And felt another’s texture quick on mine.
So, etymologist of roots and graftings,
I fall back to my tree-house and would crouch
Where small buds shoot and flourish in the hush.

Seamus Heaney, Glanmore Sonnets V

For the Good Turf. Digging.

Between my finger and my thumb
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked
Loving their cool hardness in our hands.

By God, the old man could handle a spade.
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away

Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

Seamus Heaney, ‘Digging’

Vowels Ploughed Into Other

Vowels ploughed into other: opened ground
The mildest February for twenty years
Is mist bands over furrows, a deep no sound
Vulnerable to distant gargling tractors.
Our road is steaming, the turned-up acres breathe.
Now the good life could be to cross a field
And art a paradigm of earth new from the lathe
Of ploughs. My lea is deeply tilled.
Old ploughsocks gorge the subsoil of each sense
And I am quickened with a redolence
Of the fundamental dark unblown rose.
Wait then… Breasting the mist, in sowers’ aprons,
My ghosts come striding into their spring stations.
The dream grain whirls like freakish Eastern snows.

‘Glandmore Sonnets I,’ Seamus Heaney