Many Worlds in One Manuscript: A Close Reading of Ms. Yah. Ar. 765, Part III

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This post concludes my series introducing, discussing, and rendering in translation a short Arabic treatise by an eighteenth century Ottoman scholar, Muḥammad b. Aḥmad al-Kūmuljinawī. In this final section he brings together additional authorities to defend the validity of waking visions of Muḥammad and their fundamental reality (the exact ontological and metaphysical contours of which remain somewhat mysterious however, no doubt deliberately). The authorities upon which he draws will be familiar to anyone with broad familiarity with medieval and early modern Islam, I suspect, with a couple of individuals of a more Ottoman range. Jalāl al-Dīn al-Suyūṭī, a late Mamluk era polymath who seems to have written on quite literally everything (including not one but three sex manuals!), is perhaps unsurprisingly a key figure, particularly since he wrote an entire treatise on this controversy. Today we tend to think of figures like al-Suyūṭī primarily as scholarly authorities, speaking from a position secured by their extensive learning and command of the canonical Islamic disciplines; however, as is visible here, al-Suyūṭī was seen as much if not more as a man of personal sanctity, his authority proceeding from his special connections with God and with Muḥammad, including through waking visions. The distinction between the authority of the faqīh, the jurist, and that of the sufi saint was not a sharp dichotomy, or even a dichotomy at all, as the example of al-Suyūṭī in particular illustrates.

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It is certainly the case, as al-Kūmuljinawī argued in a previous section, that saintly authority and its validity are assumed here: the witness and experience of the saints form a central pillar of al-Kūmuljinawī’s argument, while vice versa the validity of communication with Muḥammad served as a support to sainthood. At the same time al-Kūmuljinawī draws upon the most broadly ecumenical sources and authorities as well, most obviously ḥadīth, but also other basically canonical texts, such as the famous devotional poem Qaṣīdat al-Burda, the ‘Poem of the Mantle,’ which by the eighteenth century was all but globally ubiquitous among Muslims of many different persuasions and affiliations. All in all, al-Kūmuljinawī situated himself within a much larger universe of texts and ideas and debates, drawing upon a wide range of texts from the late medieval period forward. How he would have accessed these texts is an interesting question, and one I cannot answer here: it is possible that he had something like library access, with a number of possibilities by this period of Ottoman history; he almost certainly would have maintained some kind of personal notebook or curated majmū’a, material copied and collected from libraries, endowed collections, the libraries of friends, books found in the market, and so forth.

Sections of this last portion proved the most challenging to translate, primarily because- if I may be a bit blunt- our author’s Arabic was not always quite up to speed, but I can hardly be one to judge; if I were to try and write a treatise of any sort in Arabic it would probably have similar issues! His relation of the ḥadīth in the first section here is marked by the only significant misspellings and suggestions of lack of full comprehension, though it is not too surprising given that hadith tend to retain quite archaic usages, challenging any readers no matter their linguistic background (and thus giving rise to commentaries to tease out the meanings of often quite opaque texts).

Finally, it is worth noting here how al-Kūmuljinawī sees himself as an author- or not as an author as the case may be. The word he uses for himself is best translated in this instance as ‘compiler,’ literally one who brings things together, and this is an apt description, as his primary mode of work here is locating appropriate sources, finding the relevant material within them, and then judiciously excerpting from those sources to make his arguments. The marginal materials, the minhu notes, can be seen as supplementing his in-text strategy, charting the lines and sources of authority and expanding upon them.

I hope this short series has proven helpful and hopefully interesting, both in terms of the content- about which there is much more that can be said (and interested readers should consult among other things the articles in the recent open-source volume The Presence of the Prophet in Early Modern and Contemporary Islam, Volume 3)- and the codicological and related matters.

The firmly established one al-Jalāl al-Suyūṭī says in Tanwīr al-ḥalak fī ruʾyat al-Nabī wa-al-malak: ‘Vision of his noble essence in body and spirit is not impossible, because he—God bless him and give him peace—and all of the prophets—God’s blessing and His peace be upon our Prophet and upon them all—are alive, their noble spirits returning to them after they die, and they are given leave to go forth from their tombs and leave to act in the upper and lower realms.’ And he mentions the ḥadīth of Ibn ’Abbās: ‘We traveled between Mecca and Medina with the Messenger of God, God bless him and give him peace, and we passed by a valley. [Muḥammad] said, “What valley is this?” They replied, “Wādī al-Azraq.” He said, “It is as if I am gazing at [the prophet] Yūnus, wearing [a jubba of] wool, passing by this valley upon a red she-camel, saying the talbīya.’ Then he said, “It is as if I am gazing at my brother Mūsā, placing his fingers in his ears, supplicating God, saying the talbīya, passing by this valley.” Then [al-Suyūṭī] said, ‘It is not improbable that they make the ḥajj, pray, and draw close [to God] as they are able. And if they are in the other world they are [also] in this one which is the abode of action until its term is concluded, and it is succeeded by the other world, which is the abode of reward, in which action ceases.’ He then quotes Qāḍī ‘Iyāḍ [author of the famous devotional work al-Shifā’], God be merciful to him: ‘“Now, if the prophets, upon whom be blessing and peace, separate from their tombs and make the ḥajj in accordance with what he related, then how improbable is our Prophet’s, upon him be peace and blessing, separation from his noble tomb?”’

However many senseless prattlers have denied such, someone who argues thus, saying that the rudiments of intellect understand its rottenness, as his coming out of the tomb and going about in the markets meeting people and people meeting him necessitates that his tomb be empty of his holy body, nothing of it remaining therein, such that people are visiting the tomb along and bestowing peace upon mere absence. But al-Ghazālī indicates the rebuttal of such an idea in that the one who sees [Muḥammad] in a dream vision sees his reality (ḥaqīqa), then sees him thus in waking life, but the attribution of some necessity [entailing the previous argument] to that [state] is the essence of ignorance and obduracy. The proof of that is that the waking vision of him, God bless him and give him peace, does not require his going out from his tomb is because from among the miracles of the saints is that God, exalted is He, rends for them the veils, such that nothing of reason, sharī’a, or custom gainsays that the saint, whether he be in the furthest east or west, be granted by God the grace of having no obstructing veil between himself and between the noble essence of [Muḥammad], it still in its place in the noble grave, nor is there any need that He make these veils like the glass which assimilates itself to what is behind it. And then it is possible that the saint’s gaze falls upon him, upon him be peace—and we know that he, God bless him and give him peace, is alive in his grave, praying, and if one is blessed with the befalling of his sight upon him then there is no reason to preclude that it be in relation to his doings and speech and asking about things (and none of this goes against sharī’a or reason), and that he would answer him is also correct. So it is [discussed] in my commentary on al-Qārī and [in] ibn Ḥajar on Shamā’il al-Tirmidhī. Continue reading “Many Worlds in One Manuscript: A Close Reading of Ms. Yah. Ar. 765, Part III”

Many Worlds in One Manuscript: A Close Reading of Ms. Yah. Ar. 765, Part II

This post continues my three-part exploration of a short Ottoman manuscript text, Risāla fī ithbāt ruʾyat al-nabī yaqaẓatan li-man iṣtafāhu min ʿibādihi al-ṣāliḥīn, by the otherwise obscure scholar Muḥammad b. Aḥmad al-Kūmuljinawī; if you have not already read Part I much of the following will not make sense, so start there then proceed to the following.

In Part I we were introduced to the manuscript as a codicological unit, and reviewed some of the paratextual aspects that appear in this handful of folios. In the remaining pages the same elements continue, plus some additional ones, which we’ll examine before plunging into the main topic of this post, the theological content and the way in which al-Kūmuljinawī drew upon existing authorities, how he might have gone about locating sources, and what we can gather about ‘canonical’ theological authorities in the eighteenth century Ottoman world. Let’s have a look at the second page in the treatise and note the paratextual elements visible there:

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First, it’s important to pay attention to things that might otherwise fade into the background: for instance, this manuscript features a frame around the main text, a common feature but not a universal one, bespeaking the refined nature of the manuscript and its intended purpose as a presentation text. More mundanely, the frame neatly demarcates the main text from its marginal apparatus: in the case of this manuscript, primarily comments that are the functional equivalent of footnotes in modern book practice. In the example above, three annotations are visible, all examples of the minhu, ‘from him,’ type of note, placed there by the author of the text (at least in this case- in other cases the provenance of such notes can vary). The notes are linked to particular points in the main text via rubricated letters, very much akin to the footnote, although spatially they are placed more or less proximate to the linked section of main text, and hence in a variety of arrangements- an affordance of handwritten texts that is considerably more of a challenge for typography (though not insurmountable; not a few early Ottoman printed works featured sloping commentary text, though not at varying angles as here).

Nearly all of the minhu comments in this section, save a single (incorrect as it turns out!) translation of an obscure Arabic word into Ottoman Turkish, are in the same hand as the main text, which we’ve every reason to believe is the hand of the author (or, if not in his actual hand, the hand of a scribe to whom he dictated). For more on these notes and their relationship to authorship, manuscript transmission, and so forth, see A Tunç Şen’s ‘Authoring and Publishing in the Age of Manuscripts: the Columbia University Copy of an Ottoman Compendium of Sciences with Marginal Glossing.’

The other paratextual element to notice in this section of the text is the use of red overlining at various points: there is no single modern equivalent for this overlining, as at points it functions like italicizing or bolding, drawing attention to a particular point in the text; at other points it functions somewhat akin to quotation marks, or, at least, the first set of quotation marks. In the example above, the final line is largely overlined, marking out a particular ḥadīth visually from the rest of the text (in Persian texts from this period, switching from nasta’liq to naskh for ḥadīth and Qur’ān did similar visual denotation work). Taken together, all of these paratextual elements- dots, rubricated words and letters, and overlining- aid the reader in navigating and interpreting the text, knowing immediately where cited texts begin, or where important arguments or transitions are located. In my translation below I’ve largely ‘translated’ these elements into modern punctuation; on reflection I think it would be interesting to try and replicate them exactly, and will try to do in the final installment of this series.

I have aimed for a relatively literal translation, while trying to draw out some of the nuance in the usage of technical vocabulary, the most challenging aspect of this text to render in English. I initially tried a two-column display here, but found that it caused a serious error when displayed on the front page of the website, unfortunately, so I have had to drop the marginal notes down to the end of the translated section.

Know that it has been established by definite texts from among the sound and sunna-conforming aḥādith that our lord and master Muḥammad, God bless him and give him peace, is alive in his grave in body and soul, and that he has freedom of action and can go where he wills in the quarters of the earth and in the imaginal realm (al-malakūt). Verily, he—God bless him and give him peace—is [still] in his noble form in which he was before his death, nothing has been changed. And if he, God bless him and give him peace, is hidden from the sight of the likes of us, it is due to the relational distance between us and between his noble person, due to the turbidity of our lower selves due to the passions of the self and their immersion in the attachments to these trifling vain wordly babbles, just as the noble angels are hidden from us even as they are in our very midst.

Now, if God desires to honor anyone with this bodily miracle, He raises the veil and he is able to see him in his true form (this does not entail that the one who so sees him is in the ranks of the Companions in a sharī’a-accordant sense). The generative cause for the obtainment of this vision is his following the sunna in his deeds and words. The more that he strengthens his following [of the sunna] the more resilient will be his personal connection [with Muḥammad], and love [for him] will increase. This is the fundamental root of all union and separation—there are those people who are scarcely ever in a state of separation and those people who are scarcely ever in a state of union [marginal note a.].

It has been established by multiple avenues of transmission that many among the noble saints, God sanctify their inner secrets and pour out blessing upon our hearts from the orients of their lights, see him, upon him be peace and blessing, in waking life, and spiritually benefit from him—that is something that is known to the one who comes to the path of the saintly or who associates with them, such that it becomes akin to necessary knowledge.

Al-Ajhūrī (d. 1655) [marginal note b.] said, ‘The shaykh of our shaykhs, Aḥmad ibn Ḥajar al-Haythamī said that Ibn Abī Jamra [marginal note c.] said that al-Yāfi’ī and al-Bārazī and others from among the community of the saintly pious have said that they have seen the Prophet, God bless him and give him peace, in waking life. And Abū Jamra mentioned that they experienced that in accordance with the transmitted saying, “The one who has seen me in a dream-vision, he will see me in waking life.” Truly, they have seen him in dreams and they have seen him afterwards in waking life, and have asked about various things and he has reported to them concerning those things, and it has turned out as he has related to them.’

The one who denies that, if he is from among those who cast calumny upon the miracles (karāmāt) of the saints—then we have nothing to say to such a one. Otherwise, this [vision] is from among [their miracles], when in the rending of [the] customary [nature of things] there is unveiled to them things in the world above and below.

Al-Fāsī (d. 1698) says in Maṭāli’ al-massarāt [his commentary (sharḥ) on] Dalā’il al-khayrāt: ‘Shaykh Abū ‘Abd Allāh al-Suhaylī [also vocalized as al-Sahlī], God be pleased with him, has said: “In order to affix love of the Prophet in the soul, do not let his noble form be hidden from the eye of insight for a moment—it is the true vision because the vision of sight is due to his conveyance of the true essence of the one who sees to the eye [or essence] of insight, so that in the presence of insight there occurs comprehension regarding the true reality of what is conveyed to [sensory] sight from among the visible things. There is no doubt that ṣalāt upon the Prophet, God bless him and give him peace, if one’s innate disposition (mashrab) is purified, will shed forth its lights and the lower self (nafs) will become a mirror for [Muḥammad’s] form, God bless him and give him peace, and will not be hidden from it. This is true knowledge in which there is no doubt. Continue reading “Many Worlds in One Manuscript: A Close Reading of Ms. Yah. Ar. 765, Part II”

Many Worlds in One Manuscript: A Close Reading of Ms. Yah. Ar. 765, Part I

I’d like to try out something a bit different in this space (and no, I have not forgotten about the Ahl al-Kahf- I still have material related to their place in the history of Islamic devotion on tap to translate and share!): a folio by folio examination of a single manuscript text, incorporating a visual examination of the manuscript pages themselves, a translation of the text (and its paratextual apparatus), and an analysis of the text, situating it in its historical context and discussing the ways in which the particular form of the manuscript shaped the semantic content. There are whole historical worlds contained within what can at first glance seem a simple array of page and ink; there is more that can be descried beyond what I will outline here, in fact. But I hope that my stab at an annotated digital edition of sorts here will provide an idea of how one might go about exploring a manuscript text like this, and the possible panoramas the now tens (if not hundreds) of thousands of digitized Islamicate manuscripts can open up with a little attention and contextualization.

The text that I’ve chosen for this treatment, Risāla fī ithbāt ruʾyat al-nabī yaqaẓatan li-man iṣtafāhu min ʿibādihi al-ṣāliḥīn, is one that I came across, as so often happens, serendipitously while browsing for some other topic (though to be honest I cannot tell you what my original search query was!); the title looked interesting, as did the catalog description, so I gave it a look, realized it was the perfect length for this project and concerned a topic of no small interest to me, and so I downloaded the digitized manuscript and transcribed it. The primary goal of this treatise is a defense of the belief that Muḥammad would appear to the pious during waking life- that is, not in the course of a dream-vision while asleep (something which was, and is, widely accepted across Islam). But at a deeper level its author sought to defend one of the primary sources of saintly authority, communication in waking life with the Prophet, against detractors who sought to denigrate such routes of transmission and authority in favor of more strictly textual and ‘rational’ means.

Several things stand out about the manuscript itself: it is a presentation copy, despite being a short risāla it is alone between the covers, never having been, as was the fate of many such treatises, disaggregated and rebound into a larger majmū’a. However, as we will see, it circulated outside of its original destination, the Sublime Porte’s library, passing through at least two other owners in the course of the nineteenth century, before being purchased by Abraham Shalom Yahuda (1877-1951) and eventually deposited in the National Library of Israel, where it is now held under the shelfmark Ms. Yah. Ar. 765 (for an excellent exploration of Yahuda and of the process of manuscript collection in the 20th century, see Garrett Davidson, ‘On the History of the Princeton University Library Collection of Islamic Manuscripts‘). We are fortunate in this case to be able to trace the maker and the owners quite accurately, though much more opaque is the actual process whereby this manuscript made its way, ultimately, to our screens. But I’m getting ahead of myself- let’s briefly consider the nature of this risāla‘s content, its author, and then turn to the folios themselves. For this first installment we’ll look at the title page and the opening of the text, with additional pages appearing in the weeks to come.

The short and often polemical risāla- ‘epistle,’ ‘treatise,’ or ‘pamphlet’- was a staple of early modern Ottoman life; the role of these short texts has been extensively explored by Nir Shafir, who has an entire book coming out summer of next year on the topic: The Order and Disorder of Communication: Pamphlets and Polemics in the Seventeenth-Century Ottoman Empire. These sorts of little treatises are wonderful windows into the social, cultural, and religious currents of the Ottoman world, as they were written quite explicitly in response to ‘live’ debates and questions, and circulated far and wide, helped by their brevity and condensed arguments and citations. They were written by a wide range of individuals: in the case of this treatise, the author, one Sayyid Muḥammad b. Aḥmad al-Kūmuljinawī, i.e. Gümülcinevī, (d. 1788), was a member of the Ottoman ‘ulāmā’, Turkish-speaking but like many of his peers choosing, in this case at least, to write in Arabic (he also wrote at least one treatise mostly in an albeit very Arabicizing register of Ottoman Turkish, Risaletü’t-ta‘rîf fî tercemeti’l-Mevlidi’ş-şerîf). Beyond the fact that he was evidently from Gümülcine- modern Komotini in Greece- that he had trained in and was presumably employed as part of the Ottoman ‘ilmiyye system of learning and instruction, and died in Constantinople (he is evidently buried in the cemetery of Emîr Buhârî Tekkesi), there is little information available on his life. Notably, our manuscript has on the final, otherwise blank page, a note in Arabic reading: ‘Kūmuljina is a town (qaṣaba) in the district of Edirne,’ suggesting it was not exactly a household place-name. In addition to this treatise and his work on the Mevlid, he wrote some fairly popular treatises on Maturidi theology, suggesting overall the profile of a scholarly broadly in favor of theological investigation, popular devotional activity, and, as we will see in the treatise in question, the authority and charisma of the Friends of God. In short, he was a man of his age, with his finger to the pulse of many of the major controversies of the time. 

Let us turn to the title page of the work, which follows a well-crafted if plain cover with closing flap and a few blank pages:

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We can immediately identify three features, common to perhaps the majority of Islamicate manuscripts, especially from this period (as in anything, conventions changed over time, and had regional variation). First, the title block itself, Risāla fī ruʾyat al-nabī ṣalā Allāh ta’alā ‘alīhi wa salam yaqaẓatan li-man iṣtafāhu min ʿibādihi al-ṣāliḥīn, neatly identifying the work, though not including the author’s name (probably because this was his own copy). Of rather more interest to us however are the three impressions of seals and the two ownership statements in the margins. Two of the three seals indicate prior possession by Ottoman sultans- Sultan Mustafa III (r. 1757 to 1774) at the top, and his successor Abdul Hamid I (r. 1774 to 1789). The third, smaller seal, dated 1805, is that of a later owner, Qārṣīzāda Muḥammad Jamālī (d. 1845).

Seals were a common feature in early modern Islamic manuscripts, and had a range of functions, not just indication of ownership or placement in a waqf (endowed foundation). Many, such as Sultan Mustafa III’s above, contained pious phrases, and might well have had a talismanic or prophylactic function (which other, ‘devotional’ seals lacking any ownership information certainly did). Ottoman sultanic seals are particularly striking visually and symbolically, dominated as they are by the intricate calligraphic personal emblem of the sultan, the tuǧra. For more on the question of seals in manuscripts, see Boris Liebrenz, ‘What’s in a Seal? Identification and Interpretation of ʿAbd al-Bāqī Ibn al-ʿArabī’s (d. 971/1564) Seal and Its Function.’ Continue reading “Many Worlds in One Manuscript: A Close Reading of Ms. Yah. Ar. 765, Part I”

Sharing a Pipe with the Shaykh

Abu Daood, Shaikh of the Coptic Quarter, in Cairo
A watercolor portrait, by the European artist Carl Haag, of a shaykh in Cairo, one Abū Dawūd; not a sufi shaykh alas (rather a shaykh in charge of an urban quarter, the Coptic one in this case), but displaying both 19th century dress and more importantly for the story below the sizeable nature of tobacco pipes! Painted in 1886 but based on observations from Haag’s 1858-9 visit to Cairo (V&A SD.462)

Apologies for the long delay in posting new material here- as is often the case many other things have intervened, the good and the bad as it were, and the several translations and short essays I had hoped to present here have been pushed back. Much of my ‘free’ time has been taken up teaching a course on modern Islam, which has entailed a great deal of secondary literature reading on my part given that my scholarly training focused pretty much exclusively on the pre-19th century world, with the exception of my recent work as a post-doctoral researcher examining issues in modern Arabic script book history. One of the happy benefits of my recent pivots towards the modern world has been getting to extend my exploration of saints and sainthood in the Islamicate world forward in time, particularly into the 19th century. Far from being marginalized by the developments of modernity, saints and sainthood remained- and in fact remain- vital forces in Islamicate history, in some cases becoming even more salient than in previous centuries. Movements such as the late 19th century Mahdiyya in the Sudan or the emergence of various millenarian and apocalyptic new religious movements like the Aḥmadiyya or the Bābīs are only really explicable within a framework of saints and sainthood.

That said, the saintly subject of the short story I’ve translated here did not herald any grand political movements or religious transformations, but rather can be seen as carrying forward older traditions of sufism and sainthood into the 19th century. We’ve encountered Shaykh Muḥammad al-Jisr (1792-1845) before (see this post for an introduction), and will be meeting him again in these digital pages no doubt, as his hagiography, penned by his scholarly son, is a wonderful source for exploring the transition of Islamic sainthood to the modern world. The story I’ve selected for today, set at some point during the 1830s (the period in which Mehmed ‘Alī’s forces occupied Ottoman Syria) reveals more in the way of continuity than change- while the 19th century would see many reformist and outright puritanical movements either begin outright or emerge into prominence from 18th century origins, here we see Shaykh Muḥammad continuing in a vein of saintly behavior exemplified by the late 17th to early 18th century ‘Abd al-Ghanī al-Nābulusī and others, including the unproblematic use of tobacco. It is also a lovely reminder of the aural presence of sufi ritual: in a world with considerably less noise pollution, and much more oriented around foot-traffic, nocturnal sufi practices such as vocal dhikr had no small aural footprint, attracting passerby such as the young man in our story, even if, as in the story, their reactions could vary in appropriateness!

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‘Shaykh Muḥammad Abū Khalīl Efendī Abāẓa the well known and trusted, whose recognition in the Syrian and Egyptian lands is such that he requires no introduction, said to me: ‘I was in Cyprus during the days of the Egyptian government’s dominion in the land of Syria. I was in the bloom of my youth and the mirth of my youthful inclinations and was not yet following the ṭarīqa, nor did I have an inkling of the spiritual states of its sons. One night I came upon the dhikr circle which your father led with his brethren in Cyprus, and it happened that all while I watched them seeing the effects of the dhikr upon the sons of the path caused me to secretly laugh. When the shaykh completed the dhikr he called to me and sat me down next to him, treating me kindly, then offering me his tobacco pipe from which he had been smoking, which I then returned to him [after smoking]. After the session concluded I returned to my lodgings and lay down on my bed, but it happened that every time I fell asleep I found that pope that the shaykh had offered me that night striking me upon my face! So I would awake with a start, then go back to sleep—and again find it striking me upon my face and I would awake, and so my entire night passed until morning dawned. I was most distressed due to lack of sleep and intensity of fear such that I worried I’d lose my mind! So I went ot the shaykh, God be merciful to him, and as soon as he saw me he started laughing. I bent down and kissed his hand and said to him, ‘Yā sayyidī, what sin is it that I did that caused you to act in such a way with me?’ He replied, ‘What is it I did to you?’ So I related to him the story of the pipe in the night, and he said to me, ‘What does that concern me? I didn’t do anything to you other than offering you my pipe!’

I began seeking his intercession, saying, ‘Yā sayyidī, I’m afraid I’m going to lose my mind! I desire your forgiveness!’ At that he said, ‘My son, for what? You stopped by our dhikr circle last night and began to laugh—we are dervish folk and you are a lordly man, it is most befitting to you that you mock and laugh at us.’ I replied, ‘Yā sayyidī, I did not intend to laugh at you, God forbid from that! But the state and levity of my youth are not hidden from you, so I hope you will forgive me!’ At that the shaykh, my God be merciful to him, was pleased with me, and so I set out on the Khalwatiyya ṭarīqa and so continued on from there.’

Ḥusayn al-Jisr, Kitāb nuzhat al-fikr fī manāqib mawlānā al-ʻārif billāh taʻālá quṭb zamānih wa-ghawth awānih al-Shaykh Muḥammad al-Jisr (Beirut: al-Maṭbaʻah al-Adabīyah, 1888), 99-100.

Shaykh Muḥammad al-Jisr and the Snake in the Wall

Egyptian characters, etc. Snake charmer, Cairo 2
A snake charmer at work in early 20th century Cairo, photographed by a photographer from the American Colony in Jerusalem; this is the sort of performer, increasingly associated with ‘the Orient’ in the 19th century, that Ḥusayn al-Jisr wished to differentiate his father from (Library of Congress LC-M32- 994 [P&P])
As anyone who has followed my work here and elsewhere will be aware, until recently my scholarly research was focused all but exclusively on the early modern and medieval worlds, with a rough cut-off date of 1800 beyond which my expertise thins out considerably. Over the last couple of years since completing my PhD and assuming a post-doctoral research position my interests and research responsibilities have diversified considerably (a diversification which comes with its own risks, I might note), running backwards and forwards in time from the periods with which I am most familiar and comfortable. On the one hand I have taken up a much greater interest in the study of deep time and possible ways of integrating perspectives from paleontology, geology, climatology, archeology, and paleoanthropology into the kinds of historical study and teaching I do located within the ‘shallow’ past. Running in the other direction, on the other hand, I have become much more involved in nineteenth and twentieth century topics, some quite new to me, such as the history of technology and communication, others continuations of my long-standing interests such as saints and sainthood.

I learned about the subject of this week’s essay and translation (and who will certainly figure in future posts over the next month or so) by way of Marwa Elshakry’s book Reading Darwin in Arabic, 1860-1950, an exploration of the complex and often quite surprising ways in which Ottoman and post-Ottoman Arab thinkers dealt with the emergence and elaboration of Darwinian evolutionary theory and the permutations that engagement underwent vis-a-vis other concerns and political developments. Shaykh Muḥammad al-Jisr’s son, Ḥusayn al-Jisr, was one of the many thinkers, Muslim, Christian, and otherwise, who grappled with evolution and other aspects of the biological sciences, threading a path that was at once critical and open to scientific insights while also remaining very committed to ‘traditional’ Islam (though in ways that would have been unfamiliar even to his own father in the decades prior), remaining largely critical of evolutionary theory but suggesting that given sufficient proof nothing in Islam prevented acceptance of evolutionary theory provided God was understood to be the first and final cause- materialism was Ḥusayn al-Jisr’s primary foe.

Ḥusayn al-Jisr’s position on evolutionary theory in relation to theology is actually related to the work of his translated here, a hagiography, written in 1888, of his father Shaykh Muḥammad al-Jisr (1792-1845), a Khalwatī teaching shakyh and widely acclaimed saint active in Syria and Palestine (though due to political instability he also spent time in Cyprus and Constantinople). Ḥusayn’s account of his father- who died shortly after Ḥusayn’s birth- is striking for the way in which the author engages in extensive epistemological and other routes of analysis and digression, with much of the introduction devoted to tracing Ḥusayn’s own journey from relative skepticism about his father’s sanctity to embracing it, based on the accumulation and weighing of oral and written evidence, including from non-Muslims. These traces of modernity, as it were, continue throughout, even as the world of sanctity and sainthood revealed is not very far from that of early modernity- it is the framing and the tone that has changed, though certainly not into a voice of disenchantment or skepticism. As such it is a good example of the complex ways Muslims and others have constructed their own ‘modernities’ not necessarily along the lines of a neat trajectory of ‘secularism’ and ‘disenchantment that have so often been seen by many as normative and either automatic or only avoidable by ‘relapsing’ into some form of reaction and obscurantism.

I have selected the following short story mostly because it’s memorable and in the voice of the shaykh’s sister, but also because it captures part of Shaykh Muḥammad’s own saintly charisma- his connections with axial saints of the past, including Aḥmad al-Rifā’ī, and his interventions in everyday life- as well as possible objections that were more likely to arise in the modernizing milieus of the late nineteenth century, with Ḥusayn al-Jisr confronting such objections directly with an explicitness unusual within the genre. We will see other interactions of ‘tradition’ and ‘modernity’ in future installations from this saint’s life, so stay tuned!

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‘And from what the aforementioned sister of the shaykh related to me about him: she said: “After the incident I told you about before, among the things that happened to me in that house is that there came to us from Beirut a covered basket of zucchinis, and when I opened the basket up to take the zucchinis out, a snake that had been hidden within came out and slithered into a hole in the house. I was very frightened and resolved to flee the house, but when I came into the presence of the shaykh, your father, I related the story to him and revealed my fear. He said to me, ‘Don’t be afraid!’ Then he came and stood in front of the hole into which the snake had entered and said, ‘Yā Sayyidī Aḥmad! Yā Rifā’ī! My sister is afraid of snakes!’ In that very moment I had barely blinked when the snake came out of the hole and the shaykh killed it, and my heart was calmed thereby.”

This happening points to the administrative power (taṣarruf) of the shaykh and his close relationship with the venerable Shaykh al-Rifā’ī, God sanctify his inner secret. If it is said that the snake charmers do the like of this deed, we say, yes, but the action of the snake charmers is of the nature of a trick, but that which is related here is the action of a man from among the people of piety and sanctity, who sought the aid of a spiritual axis (quṭb) from among the spiritual axes of the age, one would not deny his virtue save one who is utterly effaced of vision. The one who knows what the learned in religion have written about the distinction between prophetic sign (al-mu’jiza) and saintly miracle (al-karāma) and between bewitchment and the art of persuasion, with all being things outside of the ordinary, such foolish doubt will not trouble his heart.’

Ḥusayn al-Jisr, Kitāb nuzhat al-fikr fī manāqib mawlānā al-ʻārif billāh taʻālá quṭb zamānih wa-ghawth awānih al-Shaykh Muḥammad al-Jisr (Beirut: al-Maṭbaʻah al-Adabīyah, 1888), 82, translated by Jonathan Parkes Allen, August, 2021.

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

The Cow, the Wolf, and the Talking Rocks

A shaykh in the countryside, cattle busily engaged in agriculture and not pursued by wolves, as depicted in 1487 in a manuscript of ‘Aṭṭār’s Manṭiq al-ṭayr, produced in Herat a few years before the Safavid conquest (Met. 63.210.49)

The hagiography of the Anatolian Muslim saint Ḥācım Sulṭān (first introduced here) captures various snapshots of a major transitional period in the region’s history, in which over the course of the fifteenth and early sixteenth century the frontier polities that had proliferated in the post-Mongol period were being incorporated into the rapidly expanding Ottoman Empire. Ottoman expansion took place in a world in which nomadic and semi-nomadic Turkic-speakers had spread widely in Anatolia and further west into the Balkans, part of a general cultural and social flux marked by the disappearance of the Byzantine Empire and an increasingly complex and diverse articulation of Islam in town and countryside. Given that Ḥācım Sulṭān’s hagiography dates from somewhere in the fifteenth century- almost certainly after the incorporation of Germiyan, the polity in which much of the action occurs, into the Ottoman realm- we can usefully read it as a window into some of the realities and cultural attitudes typical of the start of the Ottoman period. The Ottoman polity itself is not mentioned, nor is any other higher-level polity. Instead, authority operates at the very local level, invested in strongmen in towns, in town and village qāḍīs- such as the one in the following story- and in the sometimes competing, sometimes cooperating saintly dervishes wandering the countryside or dwelling in saints’ shrines.

The story excerpted and translated here is set in a village, to which the saint has come for a time (the central story arc of the first third or so of the hagiography is Ḥācım Sulṭān’s quest for the designated place of his future āstāne and shrine). He tends, with the helps of his miraculous black bull companion, the village herds, occupying a rather ambiguous position: he is referred to here and at other points in the story as being a ‘dīvāne,’ a polyvalent word literally meaning ‘crazy’ but also connotative of a wandering dervish. The characters in this story use it in a decidedly negative way, pointing to a reality that Ḥācım Sulṭān’s hagiography does not try to obscure: not everyone accepted his sainthood, and the towns and countryside of earliest modern Anatolia had many claimants to sanctity, not all of whom received universal acclaim. It is also worth noting that here and in many other stories in this vilāyetnāme women feature prominently, both as supporters of the saint and as members of a sometimes skeptical audience in need of convincing.

Finally, alongside depictions of everyday life in the countryside- putting cattle out to pasture, the threat of wolves, and the like- we also see a local qāḍī, or judge, at work. The question of who appointed him and from whence he draws his salary is of no interest to our narrative; what counts is his responsiveness to the villagers’ request for an investigation and his willingness to accept Ḥācım Sulṭān’s proofs of sainthood. Already in this period we get the sense that the norms of Islamic jurisprudence were known to some degree even deep in the countryside, an important foundation for the effectiveness of the Ottoman scholarly-legal bureaucracy and hierarchy already being formed.

Nomads tending to their cattle, from the c. 1400 Divān of the poetry of the Jalāyirid ruler Sulṭān Aḥmad Jalāyir (d. 1410). (Freer and Sackler F1932.34)

Another vilāyet of Ḥācım Sulṭān: there was a little elderly woman who had a single cow (ınek). She would bring the cow out to pasture. Then one day Sulṭān Ḥācım said to her, ‘Mother, by God’s command a wolf is going to eat this cow! Do not pasture her.’ But the woman did not listen. She put the cow out to pasture. Now [Ḥācım Sulṭān] gathered all the cattle [of the village] gathered together and moved them along, but this poor woman’s cow separated from the rest of the cattle and went to another place. With God’s permission a wolf came forth and ate the cow up. Evening fell. All of the animals returned to their homes, but the woman’s cow did not come. For a while they searched but did not find [it]. Finally, the woman’s sons were at a loss. Then about it they said, ‘That crazy one (dīvāne) has palmed off this cow! At any rate let’s go and find him.’ So they went and asked Ḥācım Sulṭān, ‘What did you do with our cow?’ He replied, ‘Your cow was eaten by a wolf in such-and-such a place in the vicinity of such-and-such.’ To which they replied, ‘Surely you are talking nonsense! Come, let us go to the qāḍī and you give [him] answer.’ Ḥācım Sulṭān replied, ‘Let us go!’

So from there they went to the qāḍī. The sons complained to the qāḍī, saying, ‘Efendi, this crazy one watched over our cattle—or, rather, he himself didn’t, his big black bull did. Now, ask this careless one what he did with our cow!’ So the qāḍī asked, ‘Crazy one, what did you do with these young men’s cow? Let us see how things stand.’ Ḥācım Sulṭān replied, ‘I warned this aged mother that she ought not put the cow out to pasture as with God’s permission as a wolf would eat [it]. She did not listen, added [the cow] to the grazing herd, and the wolf ate [it].’ Continue reading “The Cow, the Wolf, and the Talking Rocks”

Ḥācım Sulṭān, the Questing Dervish, and the Troublesome Nomads

Fourtheenth Century Anatolian Carpet
Surviving traces of late medieval nomadic material culture are, unsurprisingly, few and far between, but this probably fourteenth century carpet of probable western Anatolian Turkman origin is an exception. The fronted animal motifs are reminiscent of Inner Asian nomadic art of much earlier times down to the present; however, the survival of this rug, by way of trade to, apparently, Tibet, as well as the presence of very similar rugs in Western European paintings from the fourteenth and fifteenth century points to the fact that these Anatolian tribes were already connected to emergent global networks through which people, practices, objects, and non-human organisms moved. For another example of this style of rug, see the even further-flung in final destination ‘Marby rug.’ (Met. 1990.61)

Hailing from the world of late medieval and very early modern Anatolia are a group of hagiographic texts, often titled vilāyetnāmes (roughly, ‘sainthood-books’), which deal with a wide range of holy people loosely tied together through similarities of practice, discourse, and claimed lineage. Many of these saints, who are often collectively referred to as the Abdāl-i Rūm, are today associated with the Bektashis and Alevis, though until the modern period they were widely venerated, including by ‘respectable’ Sunni Ottoman Muslims. Ḥācı Bektāş Velī is by far the best known of these saints, the majority of whom are described in the hagiography as hailing from Khorasan in Inner Asia. In what follows below I have translated a selection from the vilāyetnāme of one of these saints, the (probably) 14th century Ḥācım Sulṭān, whose hagiography was written down in the fifteenth century, with the earliest copy hailing from the sixteenth. As such, it is a wonderful snapshot of what rural Islam looked like in western Anatolia during this transitional period in which the late medieval beyliks were being progressively incorporated into the expansive Ottoman Empire. It is one in which wandering saints are common, as well as cases of opposition to those saints, and contestation over the meaning of sainthood and who ought to wield it. It is a world in which nomadic peoples remain prominent, with the saints themselves effectively nomadic much of the time.

Before reading the story it is helpful to know what precedes it: in the opening pages of the vilāyetnāme we learn how Ḥācım Sulṭān was sent to Anatolia (that is, Rūm) along with Ḥācı Bektāş Velī by the famed Central Asian saint Aḥmet Yesevī. The two saints spent some time in Mecca and Medina before coming to Anatolia, where they first met with the saints already resident in Rūm, displaying their own saintly credentials before setting off to build up their base of followers. Ḥācım Sulṭān split off from his more famous companion (and the hagiography clearly builds upon the relationship to legitimize Ḥācım Sulṭān), traveling towards the territory of Germiyān in southwestern Anatolia. He herds cattle, deals with opponents, miraculously manipulates rocks, and so forth, all the while seeking out a place called Ṣūsuz (that is, ‘waterless’) which he has been told in a dream-vision is the place he must set up his headquarters, as it were. When he finally comes to Ṣūsūz (located south of the town of Uşak) he finds that a group of Aq Qoyunlū Turkman nomads are already using the area as their summer pasture, setting up a clash between the wandering dervish and the resident Turkmans. In the meantime, it should be mentioned, a miraculous black bull enters his service and attracts wonder everywhere he goes.

The story I’ve selected and translated here describes a new character entering Ḥācım Sulṭān’s fold, a dervish from far-off Khurāsān, a tale which is followed by one describing the resolution of the conflict between saint and nomads. Late medieval Anatolia was already a place intimately connected with other parts of Eurasia, whether through trade- as the above carpet suggests- or through the circulation of nomads, wandering dervishes, and the like, often coming, ultimately, from Inner Asia. It is not implausible that the outbreak of death in the nomadic camp as described below can be interpreted in light of the circulation of epidemic disease across Eurasia, an issue that remains very much acute in our own world.

This hagiography, like others of its sort, was written in a form of Turkish intermediate between late West Oghuz and the emergent Ottoman literary form, with what appear to be sixteenth century interjections here and there explaining words that had become obscure. These hagiographies were assembled out of oral reports and stories, something that frequently comes across in the written text, and reflect the intermingling and cross-fertilization of standard Islamic practices and ideas, elements of Persianate sufism, and local Anatolian motifs and traditions. As such, the meanings and significances of these stories are not always obvious, coming as they do from religious and cultural worlds that feel far distant from our own in many ways. I hope that my translation has retained some of that strangeness.

Folio from a Divan (Collected poems) by Sultan Ahmad Jalayir (d.1410); verso- Nomad camp; recto- text
Filling the margins of this c. 1400 Divān of the poetry of the Jalāyirid ruler Sulṭān Aḥmad Jalāyir (d. 1410) are depictions of an encampment of either Turkman or Mongol nomads. While probably produced in Iraq or Iran, this ink drawing gives a good idea of what the Turkman community described in Ḥācım Sulṭān’s vilāyetnāme might have looked like. (Freer and Sackler F1932.34)

There was a pure-hearted, worshipful, ascetic dervish saint in the lands of Khurāsān, whose name was Burhān, and who was a lover of the Folk of the illustrious House, and was in heart and soul a lover of the Friends of God. His heart was filled with passionate love (muḥabbet-i ‘aşıḳ). He constantly prayed, ‘O God of the worlds, make me to obtain to the skirt of one of the children of the Messenger!’ He consigned his heart to the divine unicity of God, exalted is He. One night while performing tesbīḥ, ‘ibādet, and zikr, he fell asleep. In his dream he saw that he had come to the lands of Rūm, where he saw that the saints of Rūm had all gathered together in one place, performing acts of worship and conversing about divine matters together. This dervish came up to them, and they offered him a place, so he sat down and saw that their khalīfe was one of luminous face and such that in seeing him one’s heart was struck with passionate divine love. This their khalīfe was Ḥācım Sulṭān. He said, ‘Welcome, my friend and loyal one, Dervīş Burhān!’ Hearing this answer [Burhān] arose and kissed Sulṭān Ḥācım’s hands and knees, saying, ‘You are my şeyh and my saint!’ Then the venerable Sulṭān Ḥācım said, ‘Yā Burhān! If you wish to be with us, come to Rūm, to the region of Germiyān, and you will find us.’ In that moment Dervīş Burhān awoke and found himself still in his room in Khurāsān. Immediately he arose and Dervīş Burhān became mad with love (divāne), passionate love encompassing him. Asking no one [for direction] he set off in the direction of the qibla. Will not anyone overtaken with divine passionate love (‘aşıḳ-i ilāhī) become divāne? Will not such a one vigorously search out for his şeyh? Not even the crossing of a great stony mountain phased Dervīş Burhān’s mind. In accordance with the saying ‘For the lover Baghdad is not too far away,’ day by day he traveled on the way, and in time one day he reached Rūm. Divine attraction towards the saints of God befell his heart (evlīyā’-i Allāhiñ cezbesi ḳelbiñe duşdi). One day he reached the region of Germiyān and said to himself, ‘Now, how shall I find his exalted side?’ It came to his mind that ‘Having taken me from Khurāsān shall I not reach his feet?’

Then by God’s decree he came to the graveyard (gūristān). He saw that some of the nomad households had made their summer pasturing grounds in the wild country there. Finding someone he asked, ‘What is this place?’ This person answered, ‘This place is Germiyān and is our summer pasture. Upon that hill there is a dervish like you who spends forty days neither eating nor drinking. He continually tells us, “In this place I am going to build my āstāne [lit. threshhold, but also indicating a sufi lodge or a shrine].” He refuses to go to any other place.’ Dervīş Burhān replied, ‘Now where is this dervish?’ The person answered, ‘He’s on that hill.’ So Dervīş Burhān set out towards him, which was known to Sulṭān Ḥācım. He rose from his place and went forward by three steps. Dervīş Burhān beheld the beauty (cemāl) of Sulṭān Ḥācım, so that his heart was illumined and he knew that he was the person he was seeking and whom he had seen in his dream. He walked towards him. He greeted him. Ḥācim Sulṭān reverently returned his greeting, saying ‘Welcome Dervīş Burhān,’ and he [Burhān] kissed his hands and feet, and in mutual love for one another they busied themselves with remembrance (zikr) of God. [Dervīş Burhān] reverently served Ḥācim Sulṭān. Continue reading “Ḥācım Sulṭān, the Questing Dervish, and the Troublesome Nomads”

A Cultural Entrepreneur in Late Eighteenth Century Cairo

Wakala Oda Basha
The Wakālat Oda Başa, built in 1673 by an Ottoman Chief White Eunuch and now, so far as I can determine, no longer extant, but depicted here as it existed in the 1830s, displaying the spatial configuration and use of an Ottoman wakāla (also voweled wikāla) akin to that in the biographical entry below, with vendors active on the ground floor, storage directly above. (Pascal Coste, Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826, Typ. de Firmin Didot frères et compagnie, 1839: Volume II plate XLIV.)

The following short biography is taken from the famed chronicle- which is also a biographical dictionary- of the Ottoman Egyptian scholar al-Jabartī (1753-1825), best-known for his accounts of the French invasion and occupation of Egypt under Napoleon. His chronicle contains numerous fascinating slices of every-day life in the late eighteenth century, such as this entry concerning a person of middling estate (which he made up for, as we will see, in other types of ‘capital’):

Ismā’īl Efendī ibn Khalīl… known as al-Ẓuhūrī al-Miṣrī al-Ḥanafī al-Muktib died. He was a good person, satisfied with his lot in life, who earned his living through book-copying and fineness of calligraphy which he had improved in and reached perfection under the tutelage of ‘Alī Aḥmad Efendī al-Shukrī. He wrote with his fine handwriting numerous books (kutub), copies of al-Saba’a al-munjiyyāt [seven selected Qu’ran suras with reputed prophylactic power], Dalā’il al-khayrāt, and full copies of the Qur’an. He also had a storehouse wherein he sold coffee beans, located in the caravanersai of greens (wikālat al-baql) close to the Khalīlī Khan. He was also very knowledgeable in the science of music, melody, the playing of the ‘ūd, and the composition of poetry, having composed madā’iḥ, qaṣā’id, and muwashshaḥāt.[1] He died, God be merciful to him, in 1211/1796.[2]

The picture that emerges from this brief life is of a man who deliberately cultivated a wide range of skills and forms of cultural expertise, while also participating in the flourishing marketplace of goods and commodities. His enterprises were such that they could overlap: selling coffee beans at the scale suggested here would have only occupied so much time, Ismā’īl otherwise working at what al-Jabartī presents as his primary trade, that of a copyist. Despite sporadic in-roads of moveable print in the eighteenth century Ottoman world, manuscript production remained dominant, with men like Ismā’īl turning out often prodigious numbers of texts for an expanded market compared to earlier periods. His specified repertoire consists of works that households with few other texts might very well have owned, either for reading and recitation or simply for their role as potent conveyors of baraka (and, secondarily perhaps, markers of cultural prestige). It is striking that, like several other copyists profiled by al-Jabartī, the Dalā’il al-khayrāt is given as part of Ismā’īl’s calling card, a text of such popularity that it could form a stable item all of its own regardless of individual customer commissions. Continue reading “A Cultural Entrepreneur in Late Eighteenth Century Cairo”

Imām al-Layth, the Debtor, the Parakeet, and the Ruler

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The minaret and street entrance to the shrine-mosque of Imām al-Layth, as it existed c. 1920 when it was photographed by Sir K.A.C. Creswell (V&A 1573-1921)

During his various journeys,ʿAbd al-Ghanī al-Nābulusī (1641-1731) visited many, many shrines of saints and prophets, some known throughout the world, others of only local purchase. In his accounts of his journeys he makes much of these visits, recording them in sometimes great detail and with his own poetic contributions. Very often he reports local accounts of the holy person venerated in the shrine, providing precious insights into the ‘oral hagiography’ and local practices of saintly veneration and saintly space that prevailed in the late seventeenth century around the Ottoman world.

One of the many holy tombs al-Nābulusī visited in the course of his extended stay in Cairo during the pilgrimage journey recounted in his al-Ḥaqīqa wa-al-majāz fī riḥlat bilād al-Shām wa-Miṣr wa-al-Ḥijāz was that of Imām al-Layth ibn Saʿd (713-791), a major figure in the early elaboration of Islamic jurisprudence. Rather like his ‘neighbor’ Imām al-Shāfiʿī, by al-Nābulusī’s time Imām al-Layth was regarded as much, if not more, as a wonder-working saint than as a scholar of jurisprudence, as the story I’ve translated here suggests.

While the central point of the story is pretty straightforward- and rather charming- certain details stand out for thinking about how Ottoman Muslims experienced the built space of such shrines. First, it should be noted, as al-Nābulusī does in introducing this structure a bit before the translated passage, and as can be seen in the photographs, reproduced here, taken by K.A.C. Creswell in the late 1910s, the shrine sat pretty much continuous with the surrounding houses, marked off by its dome (qubba, see below) and relatively low but ornate minaret, both of late Mamluk provenance. The line between house and shrine could be blurred in other ways: the man in the story practices the venerable rite of ‘incubation,’ sleeping in a holy place so as to receive a vision or answer to a prayer. If the shrine was seen as a sort of ‘home’ for the entombed saint, incubation was equivalent to a guest spending the night.

The fact that al-Nābulusī heard this story, perhaps from a neighbor to the shrine, indicates that the space remained ‘alive’ to local residents and devotees, as did the saint himself, even to the point of attracting an additional element to his name (at least among his local devotees). It’s a good reminder that whatever the intentions of the original founders of the tomb (which certainly predates the ‘modern’ late Mamluk construction visible now to us) or of later patrons and builders, those intentions might have only partially been respected or even recognized by later participants in the sanctified space.

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The qubba- dome- and rooftop of the shrine, fairly typical of mausoleum architecture during the Mamluk period (V&A 1571-1921)

The reason for his being given the kunya [1] of Abū al-Makārim [that is, ‘Father of Noble Deeds’] among the people of Cairo is what was told us in the following manner, namely that there was a man with many debts. He set out sincerely for a pious visit to [Imām al-Layth], and recited the Fātiḥa for him and supplicated God, asking for relief from his debt. He slept here in the shrine and saw [Imām al-Layth] in a dream. He said to the man: ‘When you arise from your dream take hold of and possess what you see upon my tomb!’

When the man arose from his sleep, he saw upon his tomb the bird known as parrot (babbaghā’) or parakeet (durra), and it could recite in the manner of an expert reciter the Qur’an in all its seven recitations! [2] So he took hold of it, and soon the people had heard of it, to the point that word of it reached the ruler of Cairo, and he commanded that the man be brought to his presence so that he might take the bird from him. When he came into the ruler’s presence the ruler bought it from him, and with the money the man was able to repay all of his debts.

Continue reading “Imām al-Layth, the Debtor, the Parakeet, and the Ruler”

The Bey, the Meczûb, and a Cure for Beardlessness

Sultan Murad III (r1574-1595) on Horseback (painting recto text verso) illustrated folio from a manuscript of the Javahir al-Gharaib Tarjomat Bahr al-Ajaib (Gems of Marvels- A Translation of the Sea of Wonders) of Jennabi (Cennabi)
(Fig. 1) Bearded and beardless soldiers and attendants surround Sultan Murad III (r.1574-1595) in this miniature from a translation into Ottoman Turkish of al-Jannābī’s Baḥr al-‘ajā’ib (Harvard Art Museum 1985.219.3.2)

As I’ve discussed on these pages many times before, Ottoman hagiography (like other bodies of hagiography from around the world) can be read in ways that get at much more than just ‘religious’ history narrowly conceived. Attitudes towards political dynamics, concepts of gender, relationships among various social groups, and many more aspects of life can all be discerned in these sorts of texts. One way of getting at underlying social and cultural realities is to read multiple accounts of the same holy person, when this is possible (and obviously in many cases it isn’t, or while there may be multiple accounts one is an original which the others simply copy and paste).

I’ve selected two renderings, both from the sixteenth century, of the same story in a saint’s life. One of the stories was written by an otherwise obscure person named Emîr Hüseyin Enîsî (fl. mid-16th century) in the small town of Göynük, located roughly halfway between Istanbul and Ankara; the other version was composed in Ottoman Constantinople (or, possibly, Bursa or Edirne) by one of the most famous Islamic scholars of the period, Ahmed Taşköprüzâde (1495-1561). Emîr Hüseyin Enîsî wrote in an almost colloquial register of Ottoman Turkish, while most of Taşköprüzâde’s literary production, including the one excerpted here, was in Arabic, long one of the two ‘international’ languages of the Islamicate world (though it would soon be translated and expanded upon in Ottoman Turkish). As such, to oversimplify somewhat, the one can safely be taken as representing a ‘provincial’ perspective, oriented around a particular holy person and his family and disciples, while Taşköprüzâde represents a more decidedly ‘imperial’ or ‘central’ view of things. Where Taşköprüzâde was a part of the scholarly-legal hierarchy, the so-called ‘ilmiye system, Emîr Hüseyin Enîsî was not, instead living and thinking at some distance from the imperial center and its rarefied world of sultans, viziers, grand medreses, and the like.

These differences are very much on view in these two stories, to which we will now turn, reviewing what they reveal afterwards. First, it should be noted that the main subject of Emîr Hüseyin Enîsî’s menâkıb is Nûru’l-Hüdâ’s father, Akşemseddîn (see this post for more on him). Out of his numerous sons, Nûru’l-Hüdâ is explicitly described as a saint, albeit of the meczûb variety (on which see this post), one whose divinely bestowed powers could go toe-to-toe with his father’s. Taşköprüzâde’s version of the story comes from his al-Shaqāʾiq al-nuʿmāniyya fī ʿulamāʾ al-dawlat al-ʿUthmāniyya, a ‘biographical dictionary’ of prominent scholars, culture-producers, doctors, shaykhs, and saints of the Ottoman lands from the origins of the dynasty up to Taşköprüzâde’s own day. While the story takes place in the fifteenth century, the underlying social and cultural dynamics that our authors bring to it speak more, arguably, of the sixteenth century. Here is Emîr Hüseyin Enîsî’s version:

‘There was a bey known as Kataroǧlu who was beardless (köse). He didn’t have any beard at all. One day he said to [the meczûb saint] Nûru’l-Hüdâ: “With saintly intention (himmet) cause me to have a beard!” So Nûru’l-Hüdâ looked Kataroǧlu in the face. He spit. In the places where the spit landed on Kataroǧlu beard began to sprout. The next morning Kataroǧlu arose and looked in the mirror. In the places the spit had touched beard had grown, and in a few days he had a full, black beard! He brought [the saint] a golden kaftan, and clothed Nûru’l-Hüdâ in it. Suddenly a dog appeared in their midst, and Nûru’l-Hüdâ rose and clothed the dog in the kaftan.’ [1]

And here is Taşköprüzâde’s version:

‘The shaykh had a young son named Nūr al-Hudā, a son who was a majdhūb, his intellect overtaken [by God]. At the time there was a great amīr known as Ibn ‘Aṭṭār, who was satin-skinned, not a hair on his face. He came before the shaykh while on his way to Sultan Muhammad Khan [Mehmed II]. While he was with the shaykh, that majdhūb came in and laughed, saying, “Is this a man? No, he’s a woman!” The shaykh was angry at this, but the amīr implored the shaykh that he not rebuke his son for saying such. Then the amīr said to the aforementioned majdhūb, “Pray for me so that my beard will grow!” So the majdhūb took a great deal of spit from his mouth and rubbed it on the amīr’s face. His beard began to grow, right up to his entry into Constantinople, and when he came before the sultan, the sultan said to his viziers, “Ask him from whence came this beard?” So he related what had happened, and the sultan marveled at it, and endowed upon that young man numerous waqfs, which remain in the control of the sons of the shaykh to this day.’ [2]

Ottoman Kaftan Fragment
(Fig. 2) A fragment of a particularly rich 16th century kaftan woven from silk and metallic thread, with a gold background, perhaps visually similar to the one described in Emîr Hüseyin Enîsî’s version of the story. (Met. 52.20.23a, b)

First, certain shared components are immediately visible: in both versions the Ottoman official- described as a bey or an amīr, roughly equivalent terms in Turkish and Arabic respectively- suffers from a degree of social stigma, it is implied, due to his lack of a beard. Having a beard, or even the first traces of a beard, was a key marker in this world of transitioning from the ambiguously gendered stage of ‘beardless youth’ to an adult man; the total absence of facial hair, if voluntary, could signal subordination (as in the case of eunuchs particularly) or social deviance and rejectionism (as in the case of radical dervishes). Thus the bey’s lack of beard is not simply a matter of style or personal pride, but could be seen as something approaching a disability. The joke the meczûb tells in Taşköprüzâde’s rendering pointedly gets at this gendered social reality.

The ‘cure,’ described in similar- though not quite the same- ways in both accounts, points to the close linkage between the body, the body’s products, and the transmission of sanctity and saintly power in the Islamicate world (and elsewhere). The exchange of saliva between saint and devotee has many parallels elsewhere in medieval and early modern Islamic hagiography (though I do not know of another instance in which spit cures beardlessness!). That the bey wants Nûru’l-Hüdâ to spit on him (or, in Taşköprüzâde’s somewhat more ‘refined’ version, rub on him) indicates his recognition of the meczûb’s sanctity, and signals to the reader Nûru’l-Hüdâ’s status as a saint.

Where the two accounts diverge is in how they implicitly frame the relationship between Nûru’l-Hüdâ (and his father), on the one hand, and Ottoman central power, on the other. In the first, ‘provincial’ rendering, while Nûru’l-Hüdâ cures the bey’s lack of beard, he does so in a way that signals the relative equality prevailing between the two- he spits right in the bey’s face, an effective way to transmit some sacred saliva, but otherwise a rather degrading action. Taşköprüzâde presents the transmission as having been carried out in a less confrontational manner. When it comes to recompense, Taşköprüzâde suggests that not only did the sultan himself reward Nûru’l-Hüdâ’s family, the family retained the reward, right down to the present, thereby tying themselves into the Ottoman center and implicitly subordinating themselves to the Ottoman dynasty. The framing of the story itself subordinates the ‘local’ saints to the central imperial context, with much of the action taking place in the presence of the sultan, not in the presence of the saint.

Emîr Hüseyin Enîsî’s version runs in exactly the opposite direction: not only does Nûru’l-Hüdâ reject the sumptuous kaftan bestowed upon him (see fig. 2 for an example), but he instead clothes a dog with it (the dog, it is implied, appearing providentially in just that moment). This act of rejection is not just a manifestation of conventional ideas of asceticism and distance from rulers. In Emîr Hüseyin Enîsî’s time, a very real struggle was taking place over who was to control the use and distribution of sanctity, over who was to occupy the ‘top spot’ in the hierarchy of saints. The Ottoman dynasty and many of its elite sought to organize, channel, and outright control the many holy people scattered across their domains, with the sultans themselves as saints presiding over the empire. Saints and their supporters, especially hagiographers, resisted these attempts. Neither ‘side’ rejected the legitimacy of the other outright: sultans and beys respected the saints of the land, and the saints, for the most part, supported the right of the House of Osman to rule. What was at issue was the nature of their relationship, and the degree to which saints should be subordinate to sultans and other members of the Ottoman elite.  Dressing a passing dog in a kaftan (itself symbolically linked to the sultan’s household) is in the story a way of signaling the superiority of the saints and that while beys and sultans needed them, the saints did not themselves need beys and sultans. The historical reality was no doubt, in fact, somewhere in between the two visions these contrasting hagiographic accounts present.

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[1] Emîr Hüseyin Enîsî, Akşemseddin hazretleri ve yakın çevresi: Menâkıb-ı Âkşemseddîn, edited by Metin Çelik  (İstanbul: Ark, 2016), 98.

[2] Ahmed Taşköprüzâde, al-Shaqāʼq al-Nuʻmānīya fī ʻulmāʼ al-Dawla al-ʻUthmānīya (Beirut: Dār al-Kitāb al-‘Arabī, 1975), 141-142.

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