O Monarch of the Heart

In yesterday’s post I introduced the theme of late medieval and early modern devotion to Muhammad, a ‘movement’ within Islam that became dominant and widespread by the end of the middle ages, especially flourishing in the early modern period. The texts of this devotion were not only written in Arabic: rather, devotion to Muhammad was often expressed in vernaculars. The following translated poem, by an Ottoman sufi şeyh and saint, Muhammed Nasûhî Üsküdarî (d. 1718), is a part of a larger collection of poetry of praise and supplication directed towards Muhammad, written in Ottoman Turkish. It is a good example of this genre of poetic composition, which was common across the Ottoman world and beyond, expressing theological concepts as well as emotional bonding between the poet and his object, Muhammad. I have included footnotes at points to clarify certain references that would have been relatively obvious to a contemporary reader or listener but might not be to my readers here.

Iznik Flower Panel

You are the cure of my sickness, yâ Muhammed Mustafa!
You are the sovereign of my heart, yâ Muhammed Mustafa!

Who am I that I dare to praise you, o monarch of the heart?
You are the light of the moon of Yâ-sin [1] yâ Muhammed Mustafa!

You hold sway over the inner secret of this habitation below, o mirror of the True!
You are the monarch of the throne of If you had not been [2], yâ Muhammed Mustafa!

Without sign, without place, in your inner secret I beheld your essence.
You are the spirits of the passionate lovers, yâ Muhammed Mustafa!

To the crooked-statured, sin-bearing Nasûhî [3] give
Help—you are a remedy, yâ Muhammed Mustafa!

Üsküdarlı Muhammed Nasûhî, [‘Poem 6’], in Üsküdarlı Muhammed Nasûhî ve Dîvânçe-i İlâhiyat’ı, ed. Mustafa Tatcı (Üsküdar, İstanbul: Kaknüs Yayınları, 2004), 166-167.

[1] A reference to the 36th surāh of the Qur’an, Surāh Yā’-Sīn, sometimes referred to as ‘the heart of the Qur’an.’

[2] An allusion to a hadith qudsi– a hadith said to convey God’s speech, though not as part of the Qu’ran- in which God says to Muhammad words to the effect of ‘If you not been I would not have created the universe.’

[3] Including one’s name in the penultimate line is an Ottoman convention, carried over from Persian poetic convention.

The Thought of Fishing

As noted in a previous post, the Ottoman majdhūb/meczûb (the first is the Arabic rendering, the second the same term but in Ottoman Turkish)- the divinely drawn saint or holy madman- was often involved in the details of everyday life, such as the smoking of tobacco. In the following story, which comes from a compilation of meczûb lives in a sprawling 17th work of hagiography by Mehmed Nazmî EfendiHediyyetü’l-ihvân, we see one of these holy madmen miraculously discern the wandering thoughts of the imam in the greatest mosque of Ottoman Istanbul.

A view of the courtyard of the Süleymâniye Mosque, the setting of the following story

‘And there was one, Hızır Aşak, who was from among the great (ulular) of the meczûb. He was a powerful meczûp capable of unveiling inner secrets. It is related that the imam of the Süleymâniye Mosque, Süleymân Efendi—who was later dismissed and sent into retirement—was one day leading the noon prayers, when the thought came to him: “After completing the salât, I’ll go to Hisar [on the Bosporus] and go fishing.’ Just as this thought was occurring to him, Hızır Aşak came to the mosque, and, as was his custom, cried out “Hû!” [i.e. ‘He,’ meaning God, a common sufi form of zikr] and said, “Süleymân Çelebi! You are here, your mind ought not be off fishing in Hisar. There is no prayer without presence of heart. Lead these men in prayer a second time.” Having said this he left the mosque. Süleymân Çelebi related thus: “This unveiling of the mad one brought about divine fear and embarrassment before the people in me. For a little while I passed out! Coming to, I properly completed the prayers.”’

Mehmed Nazmî Efendi, Hediyyetü’l-ihvân

Ottoman Majdhūb/Meczûb: Two Stories

The following accounts treat an important, and well-nigh ubiquitous, type of Ottoman Muslim saint, the majdhūb (meczûb in Ottoman Turkish), the ‘divinely attracted or drawn one.’ For a longer explanation of this ‘mode’ of sainthood, see this post of mine from a while back. One of the chapters of my forthcoming dissertation will consist of a detailed history and analysis of majdhūb sainthood, as well. The two accounts below represent the different ways and environments in which this ‘immersive’ saintly identity could operate, across the diverse lands of the Ottoman Empire. The first, from an Arabic biographical compilation from the mid-17th century, treats the arguably most important and well known majdhūb saint in the Ottoman world, Abū Bakr ibn Abū al-Wafā’ al-Majdhūb (d. 991/1583), of Aleppo. The dervish complex and mazār (place of visitation or shrine) that grew up during his lifetime and especially after his death still stands, having gone from being on the outskirts of the city to well enveloped within it, a monument to the centrality this strange and powerful saint took on both during and after his life on earth (for more on this saint and his legacy, see Watenpaugh, Heghnar Zeitlian. “Deviant Dervishes: Space, Gender, and the Construction of Antinomian Piety in Ottoman Aleppo.” International Journal of Middle East Studies 37, no. 4 (2005): 535–65). In the story I have translated we see the saint’s intervention in one of most dangerous and pressing situations in any pre-modern society, the threat of drought- with the mere suggestion that drought might be imminent enough to send local markets into a price-raising frenzy, as noted in this story. The saint’s strange behavior- open to all manner of interpretation- is also displayed here, out of a long list of stories of strange and far more shocking action than manifested here. Continue reading “Ottoman Majdhūb/Meczûb: Two Stories”

A Mad Saint, a Dervish, and a Flash-Flood

The following is a pair of Muslim saints’ lives, included in a biographical compilation (Luṭf al-samar wa qaṭf al-thaman) by an early 17th century Ottoman author from Damascus, Najm al-Dīn al-Ghazzī, the scion of a prominent family of ‘ulama, and one of the more prolific Damascene authors of the first part of the 17th century. His biographical histories include many saints’ lives, with a special emphasis on holy men with whom he or his saintly brother Shihāb al-Dīn al-Ghazzī had contact. Perusing the pages of these collected lives, a veritable ecosystem of sainthood and sanctity comes to life, populated by individuals of striking piety and of often controversial actions and behavior. Sainthood was and is a deeply social phenomenon, particularly in the Ottoman world wherein no ecclesial or political authority offered canonical guidance in the question of who was and was not a ‘true’ friend of God. Rather, something of a consensus among devotees would emerge, often alongside challenges from other directions, concerning a given person’s sanctity and closeness to God.

In the first life which I have translated here, we meet an enigmatic majdhūb, or possessed saint, who displayed seemingly erratic and irrational behavior, interpreted by those around him as the manifestation of jadhb, or divine attraction. Like many such majadhīb, he seems to have come from a rural environment, and in lieu of complex doctrinal teachings, he manifested his sainthood through strange, even shocking actions. And like many such possessed saints, he deliberately transgressed social boundaries, in particular, strictures on gender segregation and contact. His companion, Dervish Ḥusayn, was also marked by his transgressing of social norms, in his case, through living for a time an extremely hermetical life, even refusing to speak directly to most pious visitors. Yet before we imagine a gulf between such ‘transgressive’ forms of sanctity and the scholarly ‘ulama class from which our author hailed, al-Ghazzī also describes the ties of members of the ‘ulama with these two saints. Dervish Ḥusayn, for instance, made an exception to his hermit’s life to discuss religious matters with al-Ghazzī and his shaykh.

Finally, these two lives, Continue reading “A Mad Saint, a Dervish, and a Flash-Flood”

A Picnic on Imam al-Shafi’i’s Dome

The dome of al-Shāfi’ī’s tomb in Cairo, Egypt, with its distinctive and somewhat mysterious boat perched atop. Source.

When once [‘Abd al-Wahhāb al-Sha’rānī, d. 1565] was hindered from making a visit to [the tomb of] Imām al-Shāfi’ī, God be pleased with him, he [al-Shāfi’ī] came to him in a dream-vision and said to him: ‘O ‘Abd al-Wahhab, I am censuring you for your paucity in visiting me!’ ‘Abd al-Wahhāb replied, ‘Tomorrow I’ll come and visit you.’ But the Imām said to him: ‘I won’t release you until I go with you to my place.’ So he took him by the hand, until he ascended with him upon the back of his dome (qubba), underneath the boat (markab) that is upon it. He spread out for him a new mat and place before him a dining-cloth upon which was tender bread, cheese rounds, and split open for him an ‘abdallāwī melon. He said to him: ‘Eat, O ‘Abd al-Wahhāb, in this place which kings of the earth now departed desired to eat!’

Muḥammad Muḥyī al-Dīn al-Malījī, Tadhkirat ūlī al-albāb fī manāqib al-Shaʻrānī Sayyidī ʻAbd al-Wahhāb

The Beauty and the Sublimity, Winter and Summer

The following is a single discourse from a collection of discourses by the seventeenth century Ottoman Sufi mystic and scholar Ismāʿīl Ḥaḳḳī, featured previously on this blog here: Sufi Concision. It is a rather dense little piece, despite only being a couple paragraphs. I will keep my explication short, in part because I am reluctant to put words in the author’s mouth, and do not fully understand the lineaments and depths of his particularly cosmology and symbolic apparatus.

The central motif of this discourse is the contrast between manifestations of God’s beauty (al-jamāl) and His sublimity (aljalāl), a word that might also be translated as ‘majesty’ or ‘magnificence.’ The concept of a sort of dualism in God’s nature or manifestation of Himself had existed for some time in Sufi thought before Ibn ‘Arabi developed the idea into the form upon which our author here is drawing. The most explicit development of Ibn ‘Arabi’s thought on the beauty and the sublimity can be found in, not surprisingly, a short treatise titled Kitāb alJalāl wal-Jamāl, available in an English translation from the Ibn ‘Arabi Society. Therein Ibn ‘Arabi complicates previous ideas of God’s manifestations of beauty and majesty, arguing against a rather simplistic interpretation of those attributes and the ways in which they might be experienced by humans. Ismāʿīl Ḥaḳḳī picks up this ‘complication’ of the attributes, and extends Ibn ‘Arabi’s original conception into the cosmological interactions of humans, nature, revelation, and God.

There appeared to me regarding [Muhammad’s] words, Winter is the spoils of the believer, that the most important of affairs for the perfect among the believers is the matter of religion, not the matter of this world. And winter aids in the realization of the latter matter, in that days are shorter and nights longer. For the shortening of nights makes fasting easier, while the lengthening of nights makes standing [in prayer] easier—in variance with summer, as the days are longer and the heat stronger, forbidding the aforementioned benefits. Sleep has the ascendency during summer nights due to their shortness and the languor of bodies [due to summer heat].

So know that summer is the site of the manifestation of God’s Beauty (al-jamāl) in deed in regards to outward form (min ḥaythu al-ṣūrah), however, in it is God’s Sublimity (jalāl) in potency in regards to inner meaning (alma’inā). But when earthquakes, violent storms, lightning strikes, and their like, occur in the summer, and as for winter in general, then it is the opposite: the Sublimity is manifest exteriorly, while the Beauty is manifest interiorly. Therefore, there does not occur in it what occurs in the summer as aforementioned. And in the nature of winter is a advantageous benefit which points to the fact that the perfect believer, whenever trial or trouble befalls him in regards to himself, to his possessions, or to his family, he takes advantage of that situation and recoups benefit. For if under every misfortune is another misfortune, on the contrary, the perfect one is he who finds sweetness in the Sublimity like that which he finds in the Beauty. And if not, then he is incomplete [in his mystical realization], because all that occurs is from God, and what is from God is not bitter to the true enraptured lover of God. It is the custom (sunnah) of God to first instruct someone through the Beauty, and if the person does not thus become aware of Him, He instructs him through the Sublimity. And if he does then become aware of Him, He uproots him—we take refuge in God from that and from all which is merely exterior.

The one who seeks ascension finds it in repentance and in the manifestation of his incapacity, not elsewhere. God possesses people who serve Him in hardship and ease equally—so look into what leads to Him: their perfect knowledge and complete tranquility of soul.

Ismāʿīl Ḥaḳḳī (1063/1652-1137/1725)