The War Works Hard

How magnificent the war is!
How eager
and efficient!
Early in the morning,
it wakes up the sirens
and dispatches ambulances
to various places,
slings corpses through the air,
rolls stretchers to the wounded,
summons rain
from the eyes of mothers,
digs into the earth
dislodging many things
from under the ruins…
Some are lifeless and glistening,
others are pale and still throbbing…
It produces the most questions
in the minds of children,
entertains the gods
by shooting fireworks and missles
into the sky,
sows mines in the fields
and reaps punctures and blisters,
urges families to emigrate,
stands beside the clergymen
as they curse the devil
(poor devil, he remains
with one hand in the searing fire)…
The war continues working, day and night.
It inspires tyrants
to deliver long speeches,
awards medals to generals
and themes to poets.
It contributes to the industry
of artifical limbs,
provides food for flies,
adds pages to the history books,
achieves equality
between killer and killed,
teaches lovers to write letters,
accustoms yuoung women to waiting,
fills the newpapers
with articles and pictures,
builds new houses
for the orphans,
invigorates the coffin makers,
gives grave diggers
a pat on the back
and paints a smile on the leader’s face.
The war works with unparalleled diligence!
Yet no one gives it
a word of praise.

Dunya Mikhail, from The War Works Hard (2004)

On the Precariousness of Human Nature

Myself and time, like birds
or ships at sea, slip past each other,
with nothing that stays put;
but what I’ve done amiss does not skip by,
but stays: this is life’s cruelest pain.
Not can I tell what to pray for, to live on, or be done:
it’s fearful either way. Come, think with me.
Through sins my life’s become an aching mess. But if I die,
ai ai! there’s no cure then for your old passions!
If this is what life appoints for you, its anguish is so great
that even when ended it holds no end of troubles,
but on both sides there’s a precipice. What’s there to say?
This then is what’s best
to look towards You alone, and Your kindheartedness.

St. Gregory of Nazianzus

From on God and Man: The Theological Poetry of St. Gregory Nazianzus, a part of St. Vladmir’s Seminary Press excellent and handy Popular Patristics Series.

The immediately striking thing about St. Gregory’s poetry is the almost existential, quite personal sense of internal struggle. The autobiographical sense of his poetry reminds one of St. Augustine, who is usually held up as the prime example of an initial move to more introspective, personal narratives. St. Gregory lacks the verve of a dramatic conversion story, but he strongly channels the sense of honesty and struggle, filtered through a clearly internally absorbed Christocentric, Trinitarian faith. Thus many of Gregory’s poetic self-narratives wander through darkness and near despair, but always return to a Christ-infused hope, even if it seems somewhat tenuous in a highly uncertain world.

A Restless Night in Camp

In the penetrating damp
I sleep under the bamboos,
Under the penetrating
Moonlight in the wilderness.
The thick dew turns to fine mist.
One by one the stars go out.
Only the fireflies are left.
Birds cry over the water.
War breeds its consequences.
It is useless to worry,
Wakeful while the long night goes.

Tu Fu (713-770)

Edwards Avenue, Advent

I saw you, once, walking along the liminal space
The sculling off winter-weary clouds, your lace,
Drawn down to you and son in mothering
             arms ensconced,
Your brown eyes filling out the grown-dull world.
Christ-mass nearing, here you, and child,
Sojourners set on foot, what we strangers call:
Our Lord and Lady- these also we bid other, yet so close,
           flew to heart:
Flash of grace, beauty, fixed in your, their, paces
           and sure-to-signify faces.